Hamlets ophelia
William Shakespeare has written many masterpiece plays and has told a vital story in almost all of them. In the play Hamlet Shakespeare uses melancholy, grief, and madness to pervade the works of a great play. Throughout the play Shakespeare uses such emotional malady within Hamlet, that the audience not only sympathizes with the tragic prince Hamlet, but to provide the very complexities necessary in understanding the tragedy of his lady Ophelia as well. It is the poor Ophelia who suffers at her lover's discretion. Hamlet provides his own self-torture and does fall victim to melancholia and grief, however his madness is feigned. Ophelia and Hamlet each share a common connection: the loss of a parental figure. Hamlet loses his father as a result of a horrible murder, as does Ophelia. Her situation is more severe because it is her lover who murders her father and all of her hopes for her future as well. When looking at her character, one would think she was in grief but quickly turns to madness. Ophelia is made to be this sweet innocent girl but then turns crazy after her father dies and Hamlet leaves for England. People argue that Hamlet has the first reason to be hurt by Ophelia because she follow
Her father forced her, and if she did try to disobey her father she could be disowned. Hamlet may very well see his father through his mother's eyes. s her father's admonitions regarding Hamlet and his true intentions for their love. Hamlet's melancholy permits him the flexibility of character to convey manic-depressive actions while Ophelia's is much more overwhelming and painful. Furthermore, it is caused by the very love of her life is even more disastrous for her poor young life. After telling Ophelia this, Polonius and Claudius try to have Ophelia become bait to find out why Hamlet us acting crazy. His emotional upswing is devoted entirely to his mother, and while his emotions are not an imitation, he does admit that he "essentially [is] not in madness, But mad in craft" (lines 187-188). Hamlet and Ophelia are confronted with the irretrievable loss of a love, however it is Ophelia's dilemma that is the more horrible and tragic of the two. She is undeniably caught in a trap that has been laid, in part, by her lover whom she does love and idealize. Hamlet then delves further into his manic feigned madness and Ophelia is cheated into the belief that he really is mad. It is worth allowing that the first of the two are real; his melancholy and grief are not counterfeit. Ophelia is then left to mourn her father, but it is not his death alone that spurns her insanity.
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