Dolci and Stomer
Over the centuries, picturing religious events in the form of artwork was still very popular and important. However, the way or style in which the events were pictured changed. The cultural production of the seventeenth and early eighteenth centuries is often described as the "baroque" period. Among the most noted Italian Baroque painters were Caravaggio and Carracci, whose different styles were both in line with the period. Through copies of their paintings and styles being taught in art schools, their influence on later artists inside and outside of Italy has been enormous. Carlo Dolci and Mathias Stomer are each painters that were influenced by the style of Caravaggio and Carracci. Stomer's painting, The Judgment of Solomon (1640), shows an influence of Caravaggio, where Dolci's painting, Virgin and Child with Saint John the Baptist (1636) shows an influence of the style of Carracci. Stomer's style of painting is closely related to that of Caravaggio (1573-1610). Caravaggio, an Italian baroque painter, naturalized both religion and the classics in his art where he reduced them to human dramas played out in the cruel and grimy settings of his time and place. He often used perspective and chiaroscuro to bring viewers a
Upon further research, the painting actually depicts a biblical event. One newborn is pictured to already be dead. The viewer first sees the painting, Virgin and Child with Saint John the Baptist, as a picture of the Madonna holding baby Jesus as seen many times throughout history. Stomer's naturalistic painting shows a biblical event, whereas Dolci's painting shows an influence of a classic style and is iconographic is nature. Carracci had a profound interest in illusion, already manifest in the Renaissance, which is evident in his grand ceiling paintings of the seventeenth century. The clothes on each person are pictured as free flowing giving the clothes and the person a very natural look. Each person in the painting has light red colored hair with rosy cheeks and brown eyes that stand out to the viewer. At this decision, the true birth mother of the living infant renounced her claim to the child in order to save its life. s close to the action of the painting as possible to give viewers a feel as if they were actually participating. Before reading the description of the painting, it seems as thought the picture does not show a religious moment taking place. To be fair, King Solomon ordered the infant cut in half and each half given to each mother. The pictured is in a gold frame, which is reminiscent of earlier times. Stomer shows great talent in painting muscular figures by the look of the man holding the sword and of the two infants. Upon first glance of the painting, The Judgment of Solomon, the viewer's eyes are taken to a single point of illumination near a picture of a beautiful new born hanging upside down by a man ready to slaughter it.
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