St. Jerome as Cardinal
As you enter the fascinating Frick Collection- a labyrinth like art museum held in the former mansion of Henry Clay Frick- you come across some of the best -known paintings by some of the greatest European artists in history. Among the paintings, major works of sculpture, eighteenth century French furniture and porcelains, enamels, oriental rugs, and other works of remarkable quality (like mansions own rich architecture, neoclassical design, and elegant decorations), you come across the most eye catching painting in the collection: "St. Jerome as Cardinal". This portrait can be found in the mansion's Living Hall, which is one of the nineteen rooms displaying art in the collection. This room only displays portraits of a single person; instead of presenting group portraits or portrai
The shades, which endow his hollow cheeks, not only depict his age and wisdom (his gray and white beard further denotes this) but also give the character's face the three-dimensional symmetry it possesses. Aside from these facts, the painting's illuminating colors tend to glow out of the portrait like a neon sign. Do to where and how it is displayed (above eye level and lit as if it were on center stage), the painting tends to attract the attention of visitors before the other portraits do so. In fact, as explained by the museum's Acostguide Inform Audio Tour, St. As for "El Greco" (Spanish for "the Greek"), who painted during the 16th century, this sense of spirituality in his portraits was very important due to the fact, he executed most of his paintings for the church rather than the court (Domenikos Theotokopoulos called El Greco, p. This movement placed more emphasis on God and religious ideologies rather than on humanism; which explains why there was an abundance of spiritual and religious paintings during his time. All of these features placed together, his serious and wise demeanor, the robe which covers his body, the Vulgate he seems to rest his hands on; the pungent red color (from the robe) which impresses us from the black abyss behind him, gives the portrait an intense and spiritual definition which no other painting in the room has. The bright red of his robe pierces the eye as it pops out towards you from the pitch-black background, which seems to surround the saint. Jerome's non-expressive, elongated face and long beard sets the serious tone denoted in the room. High in the center of the Living Hall, painted by El Greco, stands the portrait of St. Jerome is painted in this portrait during the last thirty years of his life, his shoulders seem broad and his body impressive.
Common topics in this essay:
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St Jerome,
Clay Frick-,
Counter Reformation,
Living Hall,
Jerome Cardinal,
Spanish Greek,
El Greco,
Latin Furthermore,
Frick Collection-,
el greco,
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Acceptance Essays
