a doll house
In Henrik Ibsen's play A Doll's House, the personality of the protagonist Nora Helmer is developed and revealed through her interactions and conversations with the other characters in the play, including Mrs. Linde, Nils Krogstad, Dr. Rank and Ann-Marie. Ibsen also uses certain dramatic and literary techniques and styles, such as irony, juxtaposition and parallelism to further reveal interesting aspects of Nora's personality. Mrs. Linde provides and interesting juxtaposition to Nora, while Krogstad initially provides the plot elements required for Nora's character to fully expand in the play. Dr. Rank's love for Nora provides irony and an interesting twist in their relationship, while Ann-Marie acts in a parallel role to Nora in that they are both away from their children for long periods of time. Nora Helmer's character itself is minimally established and revealed at the beginning of the play, but the reader is further privy to her personality as the play progresses, as she interacts with each of the other minor characters in the play. Ibsen deliberately chooses to show Nora's true self by revealing it in conversations between her and other characters; Mrs. Linde is one of these minor characters who is juxtaposed against Nora. Mr
Linde's relationship with Krogstad revives again while Nora's marriage to Helmer crumbles. Linde and Ann-Marie provided emotional and physical parallels and contrasts to Nora while Dr. This is illustrated by her handling of the debt crisis up to the point that her husband finds out. Ibsen's Nora progresses from an innocent, apparently oblivious bystander to the her world's events to a character who has the courage, determination, and intellect to undertake those tasks that Victorian society prohibited for women. This attitude is best expressed when he says, "I had to grab hold somewhere; and I dare say that I haven't been among the worst. Ibsen's deliberate use of minor characters in A Doll's House was to create and develop Nora's personality; and as the play finishes, Nora is a real and complex character, a woman who is contradictory to society's expectations and ideal for a realistic world. Nora's extended time away from her children is analogous to Ann-Marie's own association with her children, who she had to leave in order to better serve as Nora's nurse. In his place, Torvald figuratively dresses Nora as a child would a doll, and disregards her hidden qualities. Also, an example of dramatic irony arises at the end of the play when Mrs. Rank and Nils Krogstad functioned to develop the plot and Nora's persona though conversations. But the reader is introduced to an unique element of Nora's personality - she is only now aware that she is seen as a sex object by those around her, including Torvald. As Nora unhappily but determinedly leaves her home for a different life, Mrs. Besides, actually, I don't need any help.
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Acceptance Essays
