a view from the bridge
Show how a production of A view from the Bridge can effectivelyemphasise the dramatic tension in the play.A view from the Bridge was written by Arthur Miller in 1955 as a 1 actplay and then in the following year of 1956 it was extended into a 2 actplay which is the version that is around today. There are many differentways in which this play can be interpreted and these can be shown inproductions through the use of stagecraft. In this essay I am going to use one particular part of the play toshow my interpretation of A view from the Bridge, It is an event thathappens in Act 2, when Eddie kisses Catherine and Rodolpho near the The set that I am using in my production shows a "doll's house"view of the Carbones dining room/living room, this is the main focus ofthe stage and is raised a couple of feet on a platform to give theimpression that it is an apartment in a building and not a whole house. In the center of the dining room/living room is a large old fashionedwooden round table surrounded by matching chairs, in the corner of theback wall to the left is a portable phonograph and on this same wall thereare two wooden doors that lead to the kitchen and a bedroom, it i
This last action takes place in complete silence which lasts for acouple of moments before Catherine gets involved and starts screamingand tearing at Eddie's face and telling him; "Eddie! Let go, ya hear me!I'll kill you! Leggo of him!"Eddie and Rodolfo come apart. He responds to this by pointing at the pattern and saying sneeringly: "HasRodolfo been makin' you a dress?" His sneering tone is due to the factthat he suspects Rodolfo to be "not quite right. But Eddie is obviously prepared and just holds his arms and pinshim against the nearby wall. Like the living/diningroom it is in full view for the entire duration of the play to give theaudience the impression of the private life and public life that is soimportant in this production. When Eddie seesRodolfo he jumps slightly in shock, at this point the shock and anger inhis face must be the main focus, this is achieved by the use of a spotlightdirectly on to Eddie's face. And the focusof attention is not on him at this point. At the point where Eddie has Rodolfo pinned against the wall, the strobelights stop, and a spotlight is focussed on them as Eddie tries to kissRodolfo. "At this point Catherine believing Eddie is talking to her, goes to leave, butEddie grabs her arm and says; "Where are you goin'?" To show how scared Catherine is of Eddie and how upset she is by thesituation, she is physically trembling and tears are welling in her eyes. His walk is unsteady showing that he had consumed one too manyscotch whiskeys while working at the docks. Then he walks to the round table in the centre of the room, he looks to theleft and then to the right to make sure that there are no witnesses and thenproduces two bottles of scotch whiskey from his outside pocket. She wasobviously not expecting him back so soon and has a guilty expression onher face as she adjusts her dress. s notpossible to see the interior of either of these rooms, the doors just let youknow that they are there, they also lead off stage. Eddie walks up the stairs off the street. The men stand limpand dazed and frozen. What happens next is very shocking and dramatic.
Common topics in this essay:
Catherine Rodolpho,
Catherine Eddie,
Eddie Rodolfo,
Arthur Miller,
Rodolfo Eddie,
Beatrice Eddie,
Eddie Catherine,
Eddie Stop,
,
Eddie's Rodolfo,
view bridge,
eddie rodolfo,
tears welling eyes,
main focus,
act 2,
act play,
arthur miller,
welling eyes,
tears welling,
rodolfo eddie,
round table,
|
Acceptance Essays
