les demoiselles d'avignon
Classical artists will always be remembered for building the foundations of art. However, there were many revolutionary artists after their time that revolutionized art into what it is today. Impressionists, led by Claude Monet, formed a group of artists originally rejected from the academies to paint in their own "objective reality." They painted art as sifted through their senses; taking into account the environment's affect on an object or placing the focus on everyday activity, the impressionists helped redefine art. While they started the process of the transformation of art, Pablo Picasso advanced it many times over, changing the face of art more profoundly then any other artist. Picasso painted art by what views he saw in his head and imagination, not by how his eyes or other senses interpreted a scene. He shamelessly broke all the classical rules of three-dimensional space, colors, figures and subject matter. In a style called "cubism", Picasso painted one of the most pivotal works of art in history, and began a new era with a single work of art. In Les Demoiselles d'Avignon, he painted his initial attempt at breaking all classical rules and changed the wor
Besides succeeding in painting his recital of the women, but he also shows classical artists that he can paint with whatever rules he wants and still accomplish his task. In turn, the observer must re-access what has been considered beautiful in previous art works. He makes the audience become an integral part of the work, as the interaction between the women and the viewer make the viewer shy back from the cold stares in the party that he has interrupted. While the women and the background mold into one, the only indication of any three-dimensional space is a small fruit basket in the foreground. To further distinguish his art from art of the past, Pablo Picasso chooses highly unconventional colors for both the figures and the drapery behind the women. The real impact of Les Demoiselles d'Avignon lies just in the fact that he painted a work to break all the previously laid out, classical rules. He forced the critics to see that something could be completely unrealistic and still beautiful as art. To display the women, he uses light blue, silver, green, dark blue, and gold. This being his first foray into the act of breaking all the classical rules for art, Picasso can easily show unflattering views of women who were not previously thought of as high-class ladies. With the emergence of the camera, there was not a need to paint exact replicas of the women. While it used to be considered a necessity for artists to prove their ability in the academies by perfectly capturing still lives, Picasso's sarcastic portrait of the fruits could be a message to classical artists that there is more to art than the ability to paint fruit. However, the shading he does add points out that like all great artists, he can perfect shading, although he is content to create his own rules. Picasso certainly had a different perspective on women then artists of the past. While such women were morally questionably, their beauty usually was not questioned.
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