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It Started With a Vision

The creative mind of George Lucas has developed many different movies with different subject matter. Many of these movies, namely Star Wars, have pushed the envelope in the realm of special effects and sound. His demand for better special effects and sound increased the overall technology in the film industry, and continues to do so today with his company Industrial Light and Magic. In all of Lucas' films, his main concern is getting his view across to the audience. He wants to portray his vision in the most vivid way possible so the audience can hopefully get a grasp of what message he is trying to get across, or what item he wants to address. Trying to get his idea across became an obsession for Lucas. The scene had to be almost entirely what he envisioned. In fact, Lucas would go to excessive lengths in creating a near perfect scene in comparison to other directors of his day. He further displayed his perfectionism when he wrote out screenplays. For example, "he only used No. 2 lead pencils, making his tiny print almost impossible to read" (Pollock 143). On the set, Lucas was a mastermind and a compulsive creator of visual imagery. Off the set, he was a creative coordinator. He spent co


frame, characteristic even of his senior year in high school. There were some scenes that he could not possibly due because the technology was too limited. For example, Lucas founded ILM in 1975 specifically "to get the effects he desired for Star Wars" (lucasfilm. At that point in George's career, he was on the top. What is possible usually is not enough for Lucas and his team of special effects artists at Industrial Light and Magic. Not only did it take more workers, it took more technology. "We needed a lot of high powered equipment to generate these images," said ILM's effects supervisor Dennis Muren. Lucas' constant desire to push the media standard further continues the evolution of technological wonders in the realm of special effects. There were two reasons for this; the obstacle was never presented, and the resources to create such imagery were not available. Dale stated "The message of Star Wars is religious: God isn't dead, he's there if you want him to be. 'The laws really are in yourself,' Lucas is fond of saying; the Force dwells within" (Pollock 139). He is convinced that his vision, whatever it may be for the corresponding movie, should be seen. He makes the purpose of Star Wars clear to author Dale Pollock in the book Skywalking: The Life and Films of George Lucas. Lucas recognized this and saw it as the perfect medium to reach a vast audience. He just sat back, pushed the buttons, and fell into the role of ruling the empire.

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