kahn
Between The Silence and The Light Introduction Architecture is a meeting place between the measurable and the unmeasurable. The art of design is not only rooted in the aesthetic form, but in the soul of the work. In Phenomena and Idea, Stephen Holl once wrote, " The thinking-making couple of architecture occurs in silence. Afterward, these "thoughts" are communicated in the silence of phenomenal experiences. We hear the "music" of architecture as we move through spaces while arcs of sunlight beam white light and shadow." Undoubtedly, Holl adopted this concept from its author, Louis I. Kahn. Unquestionably, I am referring to "Silence and Light", a concept created and nurtured by Khan, and one that dominated the later half of his work. Kahn had chosen the word Silence to define the unmeasurable or that which has not yet come to be. According to Khan, the unmeasurable is the force that propels the creative spirit toward the measurable, to the Light. When the inspired has reached that which is, that which known, he has reached the Light. Eloquently expressing the architect's passion for design, Khan wrote "Inspiration is the of feeling at the beginning at the threshold where Silence and Light meet. Silence, the unmeasurable, desire to
Bibliotecas - Libraries, New York, Garland, 1988. It has done beautiful work in many places and still does. It is also an opportunity to allow the books to "speak" to each other, from either side or from a different floor, a form of social interaction of the spaces. But soon, the will to look out made man make a hole in the wall, and the wall was pained, and said, "What are you doing to me? I protected you; I made you feel secure-and now you put a hole through me! " And man said, "But I see wonderful things, and I want to look out. " Unfortunately, as in my case, I entered the arcade from the east and walked south and had to circumnavigate the entire building before I found the front entrance. It is this inspiration that enlivens the spirits of the students, and motivates them to study and learn. Khan provided three distinct areas of light for the each of his important spaces. " Khan believed that in order for architectural theory to be credible, it had to be constructed. I may suggest then, that if the purpose of the institution lies within the Silence, then its physical materialization becomes the Light. " Therefore the brick should be treated as a load-bearing material; not a veneer attached to a reinforced concrete frame. As Stephen Holl concisely expresses "Architecture is born when actual phenomena and the idea that drives it intersect. Once the user has reached this destination, he shall enter the place of books. " Khan did not investigate antecedents, precedents, nor did he survey its potential users.
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