Greeks in art
As the goddess of love and beauty, Aphrodite holds great power over both mortals and immortals. Therefore, it should come as no surprise that she is featured in numerous myths, poems and plays; likewise, there are many representations of Aphrodite in sculpture and painting. Aphrodite remained a popular figure for artists through the ages, continuously being reborn in the latest model of female beauty. While several legends of Aphrodite stress themes of love and desire, some of most gripping myths deal with the consequences that the goddess herself suffers as a result of being the victim of love, some of which have found their way public in the form of art. There are numerous accounts depicting her birth or marriage, other images are simply artists renditions of the goddess herself. Perhaps the most interesting way to look at Aphrodite is to compare the depictions of her over time.Early depictions of Aphrodite were crude in nature, and limited to the artistic technology of the time. Prior to the 4th century BC, she was already seen on archaic era coins and household items. A vase found in 530 BC (left) shows her and the Judgment of Paris. The image it
Aphrodite became extremely popular in the 19th century. Statues of Aphrodite like Praxitiles' Venus d'Arles (400-330BC) show us a full-bodied representation of Aphrodite. When comparing the appearances of Aphrodite between the two paintings, it appears that here she is younger and in the Reubens picture, much older. Alexandre Cabanel's painting The Birth of Venus (1863) first appeared in the Salon of 1863. Cranach preferred to paint nudes rather than clothed women. Since this statue is so old, it could have aided future artists in conceptualizing what Aphrodite looked like, or at least give them something to go on. Venus Standing in a Landscape looks like it might draw on Italian Renaissance models, but is fundamentally different. She is voluptuous and has an accommodating feeling about her. It was good publicity for the goddess, but the quality of the artwork was compromised. With her hair flowing around her body, she is the male poster child of eroticism. She appears somewhat passive, but more perfect than is humanly possible, conveying the image of a deity. When it is all said and done, Aphrodite's stature as the goddess of love and fertility find their way onto the canvas or chiseled in stone. After looking at numerous paintings of Aphrodite, there is no real set definition for what she would look like. She emerges full grown with her hair flowing due to the slight breeze of the wind god, personified in the painting as Zephyrus, intertwined with Chloris.
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