Animal Farm: Napolean-Stalin
Animal Farm Research Paper Animal Farm is one of George Orwell's most controversial pieces of work. One would say that Animal Farm is an allegory of Stalinism, growing out from the Russian Revolution in 1917. Because it is cast as an animal fable it gives the reader/viewer, some distance from the specific political events. The use of the fable form helps one to examine the certain elements of human nature which can produce a Stalin and enable him to seize power. In this case Napoleon was the Stalin of the book. Many elements of the book indicate this very subtly at times and clearly at other times. Napoleon, like Stalin, uses methods to make him look favorable by simply altering the rules to his needs at the time. Squealer is responsible for most of this transgression. All of the Seven Commandments of Animal Farm are eventually broken before the commandments are revised to establish that the pigs did nothing wrong. In the eighth chapter, the commandment that strictly forbids animals to kill one another was cunningly changed to "No animal shall kill any other animal without cause" (Orwell 63) after a series of executions of supposed traitors and probable Snowball followers. Napoleon forced confess
It is very obvious that in both cases they felt that avoiding competition by simply getting rid of it was the easiest way to ensure their power over others. His main goal was to better the life of the farm by building a windmill which would make life less burdensome for all those who lived there. Squealer's greatest accomplishment was getting Boxer, a hard worker and a dedicated role model for all other animals on the farm, to believe that Napoleon is a magnificent strategist who knows what he is doing. "Although admired by some Russians, most would agree with the assessment in the West that Stalin was one of the cruelest dictators in history" (Encarta B). This 'Stalin Constitution,' as it was called, preserved the essential framework that had existed in Russia under Lenin" (Mazour 691). The artist is in total control of the brush and what he thinks begins to merge with what he sees to create a total chaos in his work. By making sure that the officials praised him he was able to involve the proletariat by allowing his congress to manipulate their thoughts about him. It's similar to an artist visualizing a masterpiece, beginning to paint it, and ending up with something totally different. From The Rise and Fall of the Soviet Union.
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