Nora vs. Antigone
Both A Doll's House and the Antigone are stories of young women who clash with the conventional male-dominated power in their society. Anouilh's Antigone and Ibsen's A Doll's House have young female protagonist who struggle against male opponents with whom they have family ties. Antigone conflicts with her uncle Creon in the novel Antigone, while Nora Helmer opposes her husband Torvald in A Doll's House. In both plays, the male antagonist embodies the values of the society and state. Creon, the ruler of Thebes, upholds commitment to his people. In a related sense, Torvald is a good bourgeois citizen who is thoroughly socialized and who unquestioningly supports the ideology of middle class society. He constantly monitors his and Nora's behavior against what society expects: "From now on, happiness doesn't matter; all that matters is saving the bits and pieces, the appearance."(Act III, 188) Heredity and the past are of central importance to both Anouilh and Ibsen. Each playwright's protagonist pays for sins inherited from their father. Antigone is the dutiful daughter of Oedipus who cares for her blinded father, sister of the beautiful Ismene, the brothers of Polynices and Eteocles, who are killed in a civil war against
Secondly, the dead man is her brother, and as she repeatedly tells Ismene and Creon, she cannot desert him. She appears to be quite happy and content with the pet names that her husband has given her, feeling that they are not insults, but words that represent his affection for her. In addition, Nora Helmer and Antigone are women who overcome many obstacles as women to develop individuality and self-pride. Nora finds happiness in keeping her husband pleased, at first. Nora rejects the laws and customs of her society and argues that truly just laws should be based on a sense of morality: " I can't get it through my head that the law is fair. Antigone does not waver in her resolution, even at the thought of her love for Haemon. Nora does realize that she has a responsibility to herself. The audience expects to see a grateful response from Helmer when Nora reveals her crime to him. Antigone knows that in the minds of the patriarchal society, the ideal woman is silent, quiet, obedient, and weak. She never regrets her decision, and she does not even remotely think of offering an apology to the king in order to escape death. During her interviews with Creon, Antigone bluntly states that the order banning the burial did not come from the gods, and the edict of a king cannot take precedence over the unwritten, unchanging, and everlasting spiritual laws. Torvald says Nora inherited her father's sinful ways: "I should have known. In the play A Doll's House, Nora Helmer is a product of a society run by men. Both women break the law using similar justifications.
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Acceptance Essays
