clarence laughlin
Clarence John Laughlin was born in 1905 in Lake Charles, Louisiana. He lived on a plantation near New Iberia. He attended high school for one year in 1918 due to the death of his father. He then worked at many jobs from 1924 to 1935. Laughlin's interests were with the writings of Baudelaire, Rimbaud, and the French Symbolists. They inspired him to write poems and stories. In 1934 he began to take photographs. His first one-man show was held, in 1936, at the Isaac Delgado Museum, New Orleans. Laughlin spent one year taking fashion photographs for Vogue magazine. He specialized in color photography during World War II. Since 1946, Laughlin worked as a freelance photographer of contemporary architecture. He published his photographs in a book called Ghosts Along the Mississippi in 1948. Following this, he lectured and had many publications and exhibitions displaying his work. From about 1970 on Laughlin concentrated on writing about his photogr
Finally, during his late career he had set his interest on taking photographs of American Victorian architecture. He was fascinated with glass "because it acts so variably and subtly with light: offers so many suggestions that so-called reality is not the simple thing we usually conceive it to be: that reality embodies many planes and many kinds of meanings". Laughlin felt that these buildings, due to their appearance, were "lost in time". In the background there appears to be a brick wall with vines growing on it. During his mid career he began to perform color experiments. " and he explored the fine line that existed between the two arts. Laughlin went through a great many style changes in his photographs. She is looking off in the distance. He experimented with watercolor and oil on photographic collages and also with different dyes. During the course of years Clarence Laughlin spent taking photographs, his subject matter would change, but his ideas behind his photos involving the world of fantasy and dreams remained untouched. A part of her beaded necklace can be seen. The image of the woman seems to be a cut and paste. Laughlin believed "that there are a great many more relationships between paintings and photography than are recognized. His images were poems, all possessing some deep, symbolic meaning. One of Laughlin's photographs that caught my interest was titled The Masks Grow to Us.
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