20Th century Music
There is no distinct transition between the romantic and 20th century music periods. They were both musical movements that broke away from many of the previous traditional ideals. Both stressed emotion and depth, and focussed on the composer's individual feelings and interpretations. For simplicity the 20th century style music is generally regarded as starting in the decade preceding the First World War. This was a time when composers began trying to experiment with the usage of the musical language. The focus of many composers was on 'liberation of sound', the right to make music with any sounds, whether pleasurable or not. As the romantic composers emphasized the composer's emotions and individuality, the 20th century composers found new ways using music to represent things (i.e. Emotions, events, places). The onset of worldwide war and political and social unrest was a trigger that encouraged composers to find new and different ways to express themselves. The tonal system was to undergo the biggest change through this period of time. Unlike romantic composers, 20th century people did not look for clear, pleasing, and lyrical melodies. Instead, they almost totally abandoned the old tonal system and used all 12 tones to crea
The soloist takes the main themes, and slightly varies them. There was a deliberate element of violence, confusion, and distortion to symbolise the dark, evil side of people. This is known as exoticism, and is a feature in some twentieth century music. As the virtuosity of performers increased with time many people crowded in some cases just to view the performer. This is slightly different to a conventional sonata form. Baroque concertos were initially written for a small group of soloists accompanied by the rest of the orchestra. There were many concertos written for cello, clarinet, bassoon, as well as the trumpet, horn, and violin. The first movement of a classical concerto was in sonata form. This often created the effect of suspense that would not resolve for the entire piece. The classical concerto does not differ greatly from the Baroque concerto. Debussy often sought to create unusual sounds and tones by taking influence from other countries, particularly non-western countries. During the classical and romantic periods composers often preferred to fully write out the cadenzas, rather than being improvised.
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