twelfth night
Comedic Conflict and Love in Trevor Nunn's "Twelfth Night" Trevor Nunn's direction of Shakespeare's "Twelfth Night" takes away some of the confusion present in the reading of the text, which begins with the complicated love interests of the main characters. Having been the artistic director for the world famous Royal Shakespeare Company for eighteen years, Nunn is vastly familiar with adaptations of Shakespeare's plays. Part of the comedy of this film develops from the first three acts of the play, which allow for a complex circle of interaction to develop within the film. Nunn's use of the prologue at the beginning of the film presents crucial information in an easy to understand, witty way. The film's prologue makes clear much of the play's primary confusion, and establishes the foundation on which the rest of the film may balance upon. Nunn's adaptation of "Twelfth Night" begins with the founding relationship in the play, the designs that Orsino expresses for Olivia. It is clear that this first interaction is the basis for others that occur, and it is also clear that both Shakespeare and Nunn utilize this interaction to create the comedic effects that happen because of the subsequent love interests. Orsino is not just
Both Viola and Sebastian are distraught by the thought of the loss of the other, and it is only through their realization that the other might still be living that these two siblings are able to go one with their actions. Viola is intelligent, resourceful, witty, and charming. However, Duke Orsino's attempts at contact are met with disdain, but Olivia's lack of interest does not dissuade Orsino from continuing his pursuit. Although these love interests as well as the complicated web of relationships, represent romantic love, Nunn attempts to provide for another type of love within the story. Malvolio has a hidden hope through some mystical action, that Olivia will establish her love for him and protest it to him. Malvolio's character is significant because he at first attempts to bring an air of respectability and chastity to the whole film, though his essential flaws and his inability to recognize the reality of people's feelings, including Olivia's, removes him from the position of moral overseer to a simple player in the game of love. Their abilities to share in familial love are elements that these two women share, even in the midst of the comedic conflict. Viola does not immediately recognize the affections of Olivia, but when she does she realizes that Olivia loves someone who does not exist. Feste demonstrates that life creates cruel jokes and that it is the way in which one can understand these situations that determines whether man is a fool or not a fool. It appears that Maria's trickery is directly related to the feelings that Malvolio expresses for Olivia, because it is implied that Maria once had these same feelings for Malvolio, suggesting that her deception is an act of jealousy. At the same time, Viola is also capable of feeling compassionate, brotherly love for Olivia, even after recognizing that Olivia loves her as Cesario. Duke Orsino is not a skilled romantic. Malvolio is the underlying driving force of the love relationships, and is considerably responsible for the outcome of these affairs. This illustration of brotherly love is also substantial in the relationship between Sebastian and Antonio.
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Acceptance Essays
