Albrecht Durer
Artist and Humanist, Albrecht Durer is one of the most significant figures in the history f European art outside Italy during the Renaissance (Gowing 195). Portraying the questioning spirit of the Renaissance, Durer's conviction that he must examine and explore his own situation through capturing the very essence of his role as artist and creator, is reflected in the Self-portrait in a Fur Collared Robe (Strieder 10). With the portrait, Durer's highly self-conscious approach to his status as an artist coveys his exalted mission of art more clearly than in any other painting. He seems to be "less concerned with himself as a person than with himself as an artist, and less with the artist than with the origin and exalted mission of art itself." (Strieder 13). In this self-portrait Durer portrays himself in the guise of the Savior. Durer's natural resemblance to Christ has been reverently amplified (Hutchinson 67). His bearded face is grave, and fringed by lustrous shoulder-lenth hair painted in a dark, Christ-like brown (Russell 89. Scholars have called attention to the fact that, the portrait was intended to portray Durer as the "thinking" artist through emphasis on the enlarged eyes and the right hand. Duere's use of
Danbury, Connecticut: Masterworks Press. The darkened tone and limited but unified color scheme create a mood of sanctity (Hutchinson 68). His advice for the young painter was "that he be kept from women. Ironically, the self-portrait did more than preserve his image; it helped foster the popular characterization of Durer as a Christ-like master, aloof and awe-inspiring. No architectural setting appears within the plain, black background of the painting (Hutchison 67). Bibliography Works CitedGowing, L. Traditional values were beginning to show signs of breaking down with great religious and social upheavals (Gowing 56). " He should be taught "how to read and write well," he should be taught to pray to God for "The grace of quick perception" (Hutchinson 111).
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Acceptance Essays
