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Photography and Fact

For many years photography has been used to document the most significant of events, whether they affect an entire society, like a war, or a specific persons' life, such as a wedding. The reason that photography is used for such occasions instead of painting, drawing or sculpting is quite simple. It is because photography is the most remarkable of the fine arts. Other forms of art, are aesthetically pleasing and important in their own rite, but photography is so monumental because of the power that only it possesses. This is the power to depict fact.

One aspect that makes photography so creditable is that it can show feeling and emotion so much more vividly and doubtlessly than a drawing can. For instance, during the Great Depression "the harsh realities were recorded thanks to the initiative of the Farm Security Administration (Daval,

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A further example that photography is perceived as more realistic than other methods of art, is that it is possible for an artist to elaborate, emphasize, erase, or even completely change an image that they are trying to capture. Such raw emotion is hard to come by in any other art form.

20th Century Photography: http://www. "

Bibliography

Bibliography

Daval, Jean-Luc. For example, there has been a great deal of speculation about whether or not Leonardo Da Vinci's Mona Lisa is a portrait of a real person. " At this time, Dorothea Lange "documented the bitter poverty of migrant workers and their families (20th Century Photography, 1).

Over the years, photography came to be depended on for its ability to show factual images for the reasons stated earlier. Proof of this statement, is the great demand for photographs in magazines and newspapers. " The rise of photojournalism made the public even more believing of photography and "the status of the photograph: from a document before, it now became evidence, irrefutable proof (Daval, 173). New York: Rizzoli

International Publications Inc. Based on this, and the preceding statement, throughout history viewers have been able to trust that the images they were seeing were genuine, and therefore were able to trust the realism of photographs.

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