Resurrection and Christ
For many centuries, artists throughout the world have aimed to capture and portray a particular theme or subject in accordance to their religious beliefs, personal influences, and mood, or based entirely upon societal influences. The figure of Christ and the manner in which he has been depicted has varied immensely over the years, which is highly indicative of changing social attitudes. Piero della Francesca's Resurrection of 1463, and Julie Rrap's Christ of 1984, have each depicted a Christ like figure in a way that illustrates their personal beliefs and also reflects the public's stance regarding the depiction of Christ at the time each artwork was completed. The two artworks are significantly different in style and representation, as each artist has selected different media and entirely different approaches and interpretations. These significant differences are mainly due to the eras in which each artwork was produced. Francesca's fresco is a classic product of the Italian Renaissance period, whereas Rrap's piece is indicative of "our changing society and its religious values." (Israel, 1997, p.160).Francesca composed his piece during the Early Renaissance period
Alternatively, Rrap's photomontage Christ has been compiled at a time when female stereo types are being challenged. This is shown in several ways, including the fact that Rrap has photographed herself naked, except for a white cloth falling below her abdominal region. at the beginning of the 15th century, where faith in the theoretical foundations of art was highly placed. She has in no way attempted to cover her breasts, which illustrates society's growing acceptance of the almost naked female form being used in modern art. During this time, many examples of Ancient art were revered as both a source of inspiration and also as a record of trial and error that had the ability to reveal the success of the former great artists. Rrap has used a piece of art by Munch and outlined the figure it depicted, and then positioned herself whilst semi-naked within the outline. It is not the technicality of appearing semi naked however, that is most indicative of today's social climate. To many people, this is a sign of progress, but in the eyes of just as many, it is also step backwards. Despite the imposing position that Jesus has been placed in within Resurrection, his facial expression along with the overall composition of figures and the landscape creates an almost peaceful and tranquil mood. The image was then divided and abstracted, with the use of thick brush strokes in the background, creating a sense of movement.
Common topics in this essay:
Conversely Francesca's,
Alternatively Rrap's,
Rrap's Christ,
Italian Renaissance,
Written Response,
Francesca's Resurrection,
Accessed March,
Israel Glennis,
israel 1997,
Visual Arts,
Pioch Nicholas,
israel 1997 p160,
1997 p160,
social climate,
hopwood 1996,
christ manner,
renaissance period,
social environment,
francesca's fresco,
rrap's christ,
figure christ,
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Acceptance Essays
