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Comparison of AvantGarde Formal Art work

A Comparison of Formal and Avant-Garde Artwork Modern art is a unique creation all it's own, and since it's beginnings there have been twovery distinct groups present. They are the Formalists and the Avant-Garde. The Formalist groupbelieves in the literal representation of the art work. They value the form used, whether it be howthe colors are stressed or the techniques used, over the idea behind the art work. TheAvant-Garde artists on the other hand are more interested in the creation of art in order tochallenge what exactly art is and can be. They have tried to break down the boundaries of what I selected Piet Modrian for as the artist I looked at regarding Formalism. His workseemed to change over a period of time. His "Woods" done in 1910 showed a typical painting ofthe forest. By typical I mean that the depiction of the forest was done to look like a forest on thecanvas. The next piece of "Tree" done in 1911 showed a more abstract form of trees while youcould still detect on a lot of movement within the painting. The shapes and negative spacebetween the lines is what became more important in his work. He then created "Composition


That the lines were painted evenly and the primary colors worked well next to eachother. Mondrian had a similar problem in that by trying to create the most simple and formalist work he opened up his work for more abstractinterpretation. "4 Duchamp's style of Avant-Garde was derived from Dada. He wanted the viewer to ask themselves the question of, "Is this art?" and, "Why is thisart?"7 Duchamp was trying to change the viewers "gaze". He also used more primary colors versushis previous works done in black and white. Montage is the technical device bywhich the artist puts these fragments together. "10 Althoughthis was not Duchamp's intentions he had asked viewers to look at his ready-made in a differentcontext than he originally expected. Burger describe this process in several ways. It is a detailed account of allegory. 1 Greenberg believed that one could reduce artto it's pure essence and form. Hisready-made object had taken on a, "hyperrealistic role on the screen of the museum. Burger alsosays that the use of allegory, taking fragments of reality and putting them together to meansomething, is important and is done by the use of montage. He wastrying to stress the importance of each line painted, and the aesthetic appeal of the bright primarycolors next to the black intersecting lines. Entitled "Fountain" the urinalwas submitted and signed under a pseudonym R. As Duchamp was trying to create art in a new way, a way in which no one had everthought of or even dreamed of, he ran into a couple of problems.

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