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Kafkas Truth

Despite the intentional ambiguity in his work, Franz Kafka's stories do contain a few common thematic threads. Kafka's search for truth, be it about relationships, justice, religion, or human nature is the one interpretation that most critics agree upon. Wilhelm Emrich, a highly acclaimed professor in Berlin, states that Kafka's writings can only be interpreted by accepting the full truth: "An assistive and willing readiness for the full truth means the ability to renounce all personal, limited ideas, wishes, and efforts of will and to enter into the fullness of all of that-which-is" (50). What he is suggesting is that in order to truly hear what Kafka has to say, one is required to completely disregard the conventional. For example, if one were to read "The Metamorphosis," and merely regurgitate the surface details of the story, they would entirely miss the truth behind it. On the level of relationships, the average reader might be touched by the family's tolerance for the creature, noting that they may not have been able to do the same in a similar situation. He or she may overlook the truth of this story as "the realization that even the most bea


It seems odd that Gregor, who disliked his job, would not view his metamorphosis as a clear reason to abandon it. His ambiguous parables and stories provide exercises for the brain that begin to prepare it for that moment in time when one is faced with the truth, so that he or she will be able to recognize it. When the Gate is finally closed, it is not because a man was refused entrance, it was because man refused to enter it. "Kafka the Artist:" Kafka: A Collection Of Critical Essays. The woman, who is "being chased in a circle for months at a stretch into an ever-widening grey future" (Emrich, 32), symbolizes man being chased in similar circles by the desire to hold on to his illusions about life. The moment that he accepted being a beetle and started living like one, symbolizes the moment Man first realizes who he really is and the lifestyle he has been living up to that point has been meaningless. Kafka felt he had to "reconcile his need to write and his need to fit comfortably into a routine existence" (Fickert, 62). "The doorkeeper stands 'before' the Law and not in the Law (Emrich, 325). According to Kafka's writing, The Law is not a desirable institution that one can turn to for protection of their rights. "Before the Law" demonstrates a lack of timeliness in the justice system when the Man grows old waiting to be permitted to enter into it.

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