Through dramatic playwriting history there have been none better than Henrik Ibsen and Aeschylus. Each of these writers brought out what they experienced in life to be made into intricate plays for an audience to experience. In each of these respected writers times, they wrote certain dramas that stood out above the rest. During the period of Aeschylus, all but seven of his screen writes have been lost over the years since his time, 455 B.C. Prometheus Bound was one of the fortune dramatic plays to survive the years. As for Ibsen, A Doll's House, was a groundbreaking play in 1879. Through the work of Aeschylus, he is credited for the introduction of a second actor, which brought possibilities for flexible dramatic action and dialogue. Thus paving the way for an antagonist and protagonist conflict. Through each of the authors characters, Prometheus and Nora, they would represent how people can fall as victims of society.
             Out of the survived Prometheus Bound play (Aeschylus 4), Prometheus portrays a trickster figure, trapped in the world of selfish gods ruled by Zeus. For his disobedience toward the words by Zeus not to help mankind, Prometheus is bound to a rock. Might and Violence, Zeus's henchmen, are the ones who carry out Zeus orders to bind Prometheus to this rock. Prometheus can forth see his destiny because Prometheus is a titan or the race of the old gods, blessed with the gift of prophecy by his mother Themis. Prometheus gave man fire, sacred to the gods, denied to man by Zeus's command. So Prometheus stole the gods blessed gift of fire and gave it to man, suffering the consequences of it by being chained to a rock. Stuck in Zeus's over controlling grasp, Prometheus went to vast lengths to help out the human race. Since Prometheus can prophesize the future one day Zeus will need him, but no help will be granted until he is freed and paid just compensation for all of his suffering. As the ...