MallarmePoet
Stéphane Mallarmé, a French poet, became one of the most important masters of French symbolism, a nineteenth-century movement in poetry that stressed impressions and moods rather than descriptions of reality (Online). The poetry of Charles Baudelaire, Arthur Rimbaud, Paul Verlaine, and others strongly affected Mallarmé’s writing (Online). He used symbolism to represent human emotions to make his poems unclear, thus avoiding direct communication with his readers (Online & World Book 110,111). Mallarmé was born in Paris on March 18, 1842 (Online). After his mother died when he was seven years old, his grandmother became his parental role model. His education included upper-class boarding schools where he often felt out of place because of his middle class background. When he was fifteen, the death of his younger sister, Maria, greatly influenced his poetic development. He turned from Romantic lyricism to much more morbid subjects like Baudelaire’s Les fleurs du mal. In 1860, he received his baccalaureate degree from a “lycee” in Sens. After an apprenticeship in the Registry’s office, in 1862 he had his first sonnet published in Le papillon, a literary journal. In 1862 Mallarmé married Maria Gerhard . . .
On September 9, 1898, Stéphane Mallarmé died at Valvins. In 1869, Mallarmé started but did not complete Igitur: ou, la folie d’Elbehnon, twelve prose fragments of different lengths (Online). The final use of symbolism is “De son clair baiser de feu. Mallarmé spoke about using words as symbols and was considered an oracle. The difficult duties of teaching often interrupted his poetic work and thoughts. After translating Edgar Allan Poe’s English poems into French, Mallarmé’s chief influence became Poe rather than Baudelaire. Stéphane Mallarmé has had great influence on twentieth century poetry, although his own poetry is limited (Collier’s). He sometimes suffered from depression and lack of creativity due to his changing poetic intentions, his dislike for instant pleasure in literature, and his insistence that the reader himself search for the symbolic meaning in poetry. ” The kiss of fire is represented as eternal life and life at the beginning when both the body and soul are united. After moving to Paris in 1875 and becoming a teacher at College Rollin, Mallarmé began to associate with such famous French poets as Theodore de Banville, Paul Verlaine, and Gustave Kahn (Online). This poem makes the reader ponder about the evolution of the soul. New York: The MacMillan Company, 1956, p. This lyric poem is a sonnet consisting of four stanzas (4,4,4,2) and fourteen lines.
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