William Faulkners Spotted Horses and Mule in the Yard
"Spotted Horses" and "Mule in the Yard" are two short stories by William Faulkner that deal with comedic animal chases. Although both provide entertaining examples of Faulkner's work in very similar settings, on the scale of literary value, "Spotted Horses" rises above "Mule in the Yard" in depth and insight. This superiority is result of both it's narrative style and character development, which causes "Spotted Horses" to produce an overall more powerful effect than "Mule in the Yard". The most notable and important difference between the two stories is the contrasting narrative style. In "Spotted Horses", the story is told in first person point of view by a narrator who observes the major events of the story but is involved in only a minor fashion. His narration provides the audience with a look at the town and it's inhabitants through the eyes of someone living in the county of Mississippi. This adds a realistic dimension to the image of the story. It is also through this narrative style that Faulkner weaves humor into "Spotted Horses". The narrator shows the
If the reader imagines the scene that Faulkner writes about with ". Snopes, the version through the eyes of the narrator in "Spotted Horses" is witness to a more subtle but more realistic I. Snopes by describing him as "a squat, pasty man perennially tieless and with a stained, harried expression" (365) who buys unruly mules from Memphis and brings them to the town where Mrs. This is more than "Mule in the Yard" can accomplish with its more simplistic basis. Faulkner weaves humor into the story through the distinct dialogue and ironic situations that occur in "Mule in the Yard". " (370) The audience is left very little to draw upon concerning the characters and their motivations and overall purpose in the story. Both "Spotted Horses" and "Mule in the Yard" are very entertaining stories by William Faulkner. Hait and old Het are chasing a mule out of their yard. Yet, the humor is not as effective as it is in "Spotted Horses" where it is a part of the entire tone of the story, not only in the situations but also with the interior involvement of the narrator and his interaction with the characters.
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