Pulp Fiction Cinematic Analysis

Some critics denounced Pulp Fiction for its violence, yet the film is not about the killings that happen in it. Pulp Fiction is about its characters in potentially comic situations. Tarantino uses these characters and their situations to achieve a hipness, a "...funky, American sort of pop masterpiece." This hipness is a laid back nonchalant attitude mixed with some vanity and a sense of loyalty all with a modern flair. The hipness is all part of the gangster mystique, which American movie audiences love so much, and on top of that Tarantino even adds the haunting shiekness of upper-scale drugs, such as heroin and cocaine. Tarantino absolutely harps on the wonderful dichotomy that gangsters present to get this hipness across to the audience. The gangsters are shown both at their coolest and at their worst, having money and

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One shot (the lesser used of the two) is a camera looking straight at Jules' face. The film won the Academy award for Best Original Screenplay and the Palme d'Or at Cannes. With modern movies being so overly produced and cut, this is actually a pretty rare technique in film today; but, Tarantino uses seems to allude to many things of films past, this just being one of them.

To keep his audience calm and cool so that it may experience the hipness of the film, Tarantino uses a lot of long static camera shots.

To keep his audience calm and cool so that it may experience the hipness of the film, Tarantino uses a lot of long static camera shots. Most of the characters in this film are the very personifications of hipness, and Tarantino accentuates that in new or at least less conventional ways.

If Pulp Fiction were a film just about the violence in it, it would be just another action movie for the masses. This scene could be particularly tense except: Tarantino beautifully directs the two actors to be the coolest that they can be, and to enhance this effect, Tarantino uses only two different camera shots in the car. The first reason that Tarantino's foreshadowing is unconventional is because he sometimes foreshadows pointless things; the other reason his foreshadowings are unconventional is because they would be conventional, except that because of the sequencing of the scenes, the effect is more of a post-shadowing. The First words that appear in the credits--the name of Tarantino's production company, A Band Apart--are a reworking of the title of Jean-Luc Godard's film about a robbery team of two boys and a girl, Bande à Part. Jackson, their stories and some of the stories of the people that they deal with during those two days. Tarantino spends well over a minute on Vincent taking his heroin.

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Approximate Word count = 13639
Approximate Pages = 55 (250 words per page double spaced)

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