Kevin Kline in Fish Called Wanda
The film A Fish Called Wanda is on the AFI's (American Film Institute) Greatest 100 Comedies list. Although this film features talented actors like John Cleese and Jamie Lee Curtis, Kevin Kline easily steals the show. Kline gives a brilliant performance as the pseudo-intellectual Otto. What makes Kline so remarkable is the way that he moves and makes his character dance across the screen. Right from the outset, in one of the film's first scene, we see that Kline's Otto is no normal jewel thief. Even though Otto is supposed to be working under the guise that he is Wanda's (Jamie Lee Curtis) sister, he quickly gives her breast a squeeze in full view of Ken, one of the other robbers. What makes this movement work comically is that Kline does it so lightening fast and that if you blinked you might miss it. He has such control over his arm that he is able to extend it, and withdraw it in a matter of maybe a second. This allows for the suspended disbelief that Ken does not see him do it. Another movement that Kline makes also speaks volumes about his body contr
Kline shows the control of an acrobat. When he goes try to Archie, he does a quick, clean backwards somersault and leap into a stride. Something I find personally fascinating about Kline as an actor is the way he seems to be so centered. Otto and Wanda are together in what I take to be Otto's quarters. While we do not see how Otto gets Archie into the position of hanging out the window, we assume that he quickly and decisively over powered him. This makes it plausible for us an audience to believe he has the cat-like quiet skills to be able to sneak into Archie's house without being heard. It's this control that makes his performance so fun to watch. They are speaking excitedly about something and he leaps into the air, grabs a pipe that is suspended from the ceiling, lifts himself completely off the ground and sails on to the bed with the grace of a ballerina. Rather then just kicking the tire, or burying his foot into the car door, Kline leaps into up and kicks the car twice while he is in the air. Towards the middle of the film, we see Kline's Otto in front of a mirror with a katana blade. He overhears the two of them making fun of him. This control allows him to slip into all sorts of different characters in the movie. There is such cleanliness and crispness to all his movements, he speaks very clearly with his body. He can take control over almost any situation with his body because he is so centered. Another example he shows of this type of body control is when angered Wanda, he grabs an 8x10 photo of her and punches through it without hurting his hand.
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Acceptance Essays
