An Era of Punk

roll first startled the American scene in the mid-1950’s, but no one then could have predicted the remarkable vitality and staying

power of this new music. The early tradition of rock has gone through many transitions. Provocative and outlandish stage attire

and behavior have been an important resource since the birth of rock and roll. Decades following the birth of rock and roll, many

have witnessed a steady ever changing parade of hair styles, costumes, gestures and props. As the level of tolerance and

acceptance grew, rock stars adopted more bizarre and shocking images. It is in this context that “punk” rock, seen by some as

a startling new direction in the late 1970’s must be considered. Rock music achieved a new respectability and power at the

same time (Ward, Stokes, Tucker, Rock of Ages, 547). Punk was rock’s most notable attempt in the late 1970’s to inject angry,

rebellious, risk taking notations into the music.

The musical style called punk rock developed in the United States out of raw and energetic music played by the

garage bands of the mid-sixties. These bands w

. . .
On the groups debut album this can be heard in the song “Personality Crisis”

(Charlton, Rock Music, 206). The Jam had a different look to

them then the Sex Pistols. Punk is still here, it has set the trend today with its histiric style making it the norm of today. It was here that McLauren recognized they highly visible,

widely energetic and ant-social punk was the heir apparent for the youth of the UK. A traditional rock back beat was played behind the fast throbbing pulse of guitar and bass (Charlton, Rock Music, 205). The lyrics of “God Save The Queen” were so foul and insulting that the song was banned from British

television and radio. Fans felt that their needed to be a new energy that was less violent and antiestablishment then punk music.

The music on the album was repetitions, unemotional, and only vaguely related to most commercial rock. The Sex Pistols wanted to repulse the

establishment and provoke authorities into retaliating against them (Charlton, Rock Music, 208). In

addition to using punk’s familiar rhythmic throb, they took Jamaica’s music of rebellion and added a reggae beat to some of their

music (Charlton, Rock Music, 210). in order to capitalize on this new sound and

evolving trend, he bean promoting the Sex Pistols. Despite the American teenagers having jobs, food, and clothing readily available to them they did

not keep the anger and violence out their music, However, they did have plenty to say about their ex-hippie parents and the

government involvement in politics. The Ramones’ very simple, fast high-energy music and monotone vocals became a prototype for much punk rock

to follow (Charlton, Rock Music. Reed wrote poetry about street life, prostitution, and drugs in New York.

Common topics in this essay:
Rock Music, Sex Pistols, Rock Ages, Punk Sex, Black Flags, Stand Messages, Velvet Underground, Charlton Rock, Velvet Undergrounds, York Dolls, rock music, charlton rock music, charlton rock, sex pistols, rock roll, velvet underground, york dolls, punk music, rock music 208, music 208, music 204, rock ages, rock music 204, stokes tucker rock, ward stokes tucker,

Approximate Word count = 3438
Approximate Pages = 14 (250 words per page double spaced)

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