Louis Armstrongs Influential Career
Louis Armstrong's Influential Career Louis Armstrong was the most successful and talented jazz musician in history. His influence and expansive career continues to make waves in the jazz world. That is what made him become what he is to many today - a legend. Born on August 4, 1901, in the poorest section of New Orleans, Armstrong grew up with his grandparents due to his parents' separation. On January 1, 1913 he made a mistake which turned out to be the best thing that ever happened to him. At a New Year's celebration in downtown New Orleans, Louis Armstrong, also known as "Satchmo" and "Satch", fired a pistol into the air and was placed in the Colored Waifs' Home. It was there that he was introduced to Peter Davis - the brass band leader who taught him how to play the cornet (Brown 17). Soon after he began playing, Armstrong was made leader of the band - something he was extremely proud of. In June of 1914, Armstrong was free to leave the Waifs' Home. He was hired by various cabarets throughout the city, as well as for picnics, dances, and funerals. It was at one of these places that he was spotted by the famous Joe 'King' Oliver. King Oliver found Armstrong stand-in slots at orchestras and other venues. In 1918, he was
They also said he was holding his race back because he didn't demand respect from whites and he smiled too much when he was in public (Crouch 171). All you had to do was hum or whistle a new tune to him and he'd know it right away" (Boujut 21). A year later the Hot Five made their only public appearance at the Chicago Coliseum. He joined the All-Star's, made up of Jack Teagarden, George Wettling, Big Sid Catlett, Dick Cary, Peanuts Hucko, Bob Hagart. The tour was scheduled to carry on to North Africa and Egypt, but the state of Armstrong's' lips forced him to cancel his remaining shows and not play for over eight months (Brown 154). It was then discovered that Armstrong had a natural extension of his trumpet abilities, which was singing. Louis Armstrong influenced almost all aspects of jazz technique and style. In London's Daily Express the death of the "trumpet player with lips of steel," was reported (Boujut 36). His last wish, that his trumpet be buried with him, was granted. Later that year, he sailed to England where he played for the King (Crouch 171). This technique has since been attempted and copied time and time again.
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