Tuvan Throat Singers
Throat singing is a unique method of singing, or vocal art in which a singer can simultaneously sing, creating two, sometimes three or four notes. This miraculous method of singing is exercised by a number of Asian tribes, and a rich tradition survives in Tuva. Located deep in Siberia surrounded by grasslands, forests and mountains, the presence of humans is rare, in fact the whole population numbers only 150,000. The people who occupy this land, seem to be one with nature, and have a deep heritage tied to the land. The Tuvan throat singers come from a nomadic herding culture in which men would spend hours even days alone on horseback with only their animals and nature to call on for company. It was through this loneliness and place in nature that throat singing was developed. It is a form of stylized storytelling where the music represents sounds of nature: running streams or birds for example. The act of throat singing is highly personal to the Tuvans, as they believe it connects them closer to the spirit of nature. Throat singing is typically practiced by men because of a taboo placed against female throat singing, based on a belief that it caused infertility. In more recent times some younger women are beginning to
Each sound created having its own place in one song or another. It resembles a crystal clear whistle sound. The higher pitch performs very distinct melodies. Referred to as Khoomei by the Tuvan natives, its origin still a bit of a mystery, its purpose was to reproduce the sounds of nature. Kargyraa can be further broken down into two separate styles: Mountain Kargyraa, usually the lower of the two and including a nasal effect, and Steppe Kargyraa sung at a higher pitch more concentrated throat tension and a raspy sound. Kargyraa is quite similar to vowel sounds in which the mouth "varies from a nearly closed "O" shape to nearly wide open. Khoomei is a softer sounding method. These separate chambers are necessary for the creation of the multiple sounds. In this style two or more notes are clearly audible. The higher harmonic pitch is what characterizes Sygyt, it is quite high pitched and loud, at least in the sound sample I heard. The higher notes (harmonics) are clear but quite soft and diffused, they are above a fundamental (lower) pitch. " Researchers found that singers used false vocal chords (in the throat) "and the aryepiglottic folds" as well as their tongue to create different chambers in which separate sounds were produced. Khoomei style singing is also the example presented to us in class as the example of throat singing given earlier in the year. The first method listed is Khoomei, which I had mentioned earlier as the name the Tuvans call throat singing.
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