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Weber Carl Maria Von

Carl Maria von Weber, a cousin of Mozart's wife Constanze, was trained as a musician from his childhood, the son of a versatile musician who had founded his own travelling theatre company. He made a favourable impression as a pianist and then as a music director, notably in the opera-houses of Prague and Dresden. Here he introduced various reforms and was a pioneer of the craft of conducting without the use of violin or keyboard instrument. As a composer he won a lasting reputation with the first important Romantic German opera, Der Freischutz. The opera Der Freischutz (The Marksman), first staged in Berlin in 1821, blends many of the ingredients typical of German Romanticism, simple peasant virtues mingling with the magic and latent evil of the forest, where the hero's magic bullets are forged at midnight. The grand heroic-Romantic opera Euryanthe is better known for its overture as is the opera Oberon, written for London in 1826. Weber's two concertos and the concertino for clarinet were written for the clarinettist Heinrich Baermann. Weber also wrote two piano concertos and a Konzertstuck for piano and orchestra for his own use, as well as a useful Hor


Weber won his widest audience with Freischutz, outwardly a Singspiel celebrating German folklore and country life, using an idiom touched by German folksong. He also was among the subtlest of orchestrators, writing for unusual but dramatically apt and vivid instrumental combinations (clarinet and hom, muted and unmuted strings etc). His melodic and harmonic style is rooted in classical principles, but as he matured he experimented with chromaticism (the diminished 7th chord was a particular favourite). Recommended Recordings Clarinet Concertos Nos. Recommended Recording Grand Duo Concertant Op. In Oberon Weber reverted to separate numbers to suit English taste, yet the work retains his characteristically subtle motivic handling and depiction of both natural and supernatural elements. 550928 Chamber Music Weber's chamber music includes a Clarinet Quintet and a Grand Duo Concertant for clarinet and piano, successors to the concertos and concertino for Baermann.

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