Mozart5
the son of Leopold Mozart, Kapellmeister to the Prince-Archbishop of Salzburg, and much the reason behind’s Wolfgang’s education. By the age of three he could play the piano, and he was composing by the time he was five. Mozart's elder sister Maria Anna was also a gifted keyboard player, and in 1762 their father took the two prodigies on a short performing tour, of the courts at Vienna and Munich. Encouraged by their reception, they embarked the next year on a longer tour, including two weeks at Versailles, where the children enchanted Louis XV. In 1764 they arrived in London. Here Mozart wrote his first three symphonies, under the influence of Johann Christian Bach, youngest son of Johann Sebastian, who lived in the city. After their return to Salzburg there followed three trips to Italy between 1769 and 1773. In Rome, Mozart heard a performance of Allegri's Misere; the score of this work was closely guarded, but Mozart managed to transcribe the music almost perfectly from In 1769 Mozart was appointed concertmaster to the archbishop of Salzburg, and later in the same year, at La Scala, he was made a chevalier of
He took up residence in Vienna and in 1782 his opera Die Entfuhrung aus dem Serail (The abdication from the Seraglio) was produced in the city and rapturously received. Nikolaus Von Nissen died in 1826, and Constanze in 1842. Initially his efforts met with some success. The Mozarts returned to Salzburg in 1771. Mozart had an unsuccessful career and died young, but he ranks as one of the great geniuses of Western civilization. Hieronymus, count von Colloredo, the successor to the archbishop of Salzburg, who had died while the Mozarts were touring Italy, cared little for music. The Marriage of Figaro and Don Giovanni, with librettos by Lorenzo Da Ponte, while successful in Prague, were partial failures in Vienna. He became ill in autumn 1791 and died on December 5; his burial the next day was attended only by a gravedigger. For the coronation of Emperor Leopold II in 1791 he wrote the opera seria La clemenza di Tito. His three great symphonies of 1788-no. His music from the preceding decade was only sporadically popular, and he eventually fell back on his teaching jobs and on the charity of friends to make ends meet. (The author of the commission was in fact Count Franz von Walsegg, who wished to pass off the work as his own. A master of every form in which he worked, he set standards of excellence that have inspired generations of composers. On delivering his resignationhe was verbally abused and eventually, physically ejected from the archbishop's residence.
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