a critique of two concerts

An orchestra is a collection of a variety of instruments usually consisting of brass, woodwinds, strings and percussion sections. In the concert at Carnegie Hall, the music was abundant in tone color and a variety of pitches and moods. While the Bach music played by the organist could only demonstrate one type of sound, the multitude of instruments at the conductor's disposal can flood the listener with a variety of sound. The key pieces of music performed were "Music for Violin and Orchestra" by Maazal and "Symphony No. 1 in D major" by Mahler. Maazal’s piece pits the virtuoso, Maazal, against the entire orchestra. It seem

. . .
The pieces heard were characteristic of the Baroque period: constant mood, difficult melodies, constant repetitions and terraced dynamics. First, these musical pieces have a continuity of rhythm, melody and mood. Not only does this increase the tension, but conveys the image of a monster running after the "hero" as it drowns out the violin due to its increase in volume. Mahler’s symphony repeats the main theme before it ends while Bach’s “Little Fugue in D minor” continuously repeats the main subject. It is not as entertaining as the struggle of Maazal’s violin versus the orchestra. While Toccata and Fugue in D minor is a piece of absolute music, Maazal's music is program music. Moreover, the music played in this piece had dissonance and consonance, another important feature of 20th century music. In the last piece, "Now Thank We all Our God", which was arranged for both the organ and the choir working in unison, an organ horn was substituted for the choir. While the musical styles of the 20th century and the Baroque period can differ greatly in terms of melody and rhythm, they also have many similarities (e. Maazal’s music is clearly 20th century music. It is music employing a small group of musicians with each player to a part. Still, the sounds and tones coming from the organ differ greatly from those coming the plethora of instruments of an orchestra. This is accomplished through repetition, which unifies the entire Baroque piece. The horn was a poor substitute when trying to replace the choir.

Common topics in this essay:
Toccata Fugue, Hitchcock's Psycho, Carnegie Hall, Violin Orchestra, Concerto Orchestra, Overall Bach, Little Fugue, Maazal Mahler, , Auf Piece, 20th century, orchestral music, 20th century music, century music, chamber music, music played, maazals music, tone color, music baroque, fugue minor, baroque music, toccata fugue minor, music violin orchestra, symphony 1 major, maazals music 20th,

Approximate Word count = 1682
Approximate Pages = 7 (250 words per page double spaced)

Already a member? Click here