The Role of Women in the Song of Roland
The Role of Women in the Song of Roland Women are not mentioned often in the Song of Roland. They appear in only seventeen of almost three hundred laisses. It is because they are included so rarely, however, that the women stand out amidst the throng of male characters and call attention to the areas of the text in which they appear. One of the principle woman characters is Queen Bramimionde, wife of the pagan King Marsile. She plays an important role at the end of the text, becoming by association the whole of pagandom, and it is only through her that the French emperor Charlemagne can achieve a true victory over the Saracens. The first mention of women in the Song of Roland comes in laisse 23, when Ganelon speaks to Charles: “I well know that I must go to Saragossa;/Whoever goes there cannot hope to return./Moreover, I have your sister as my wife....” In these lines, Ganelon uses kinship as a means to link himself to Charlemagne, via the woman. He is in effect communicating his ‘last words’ to the emperor and, being reluctant to perform the dangerous task set before him, is attempting to evoke guilt in Charles. A suitable paraphrase of the lines would be: “Remember that I am married to your sister, whom . . .
By associating the pagans with frequent mood swings, at one moment crying and cursing their gods, the next moment reassured and planning the destruction of the Franks, paganism as a whole is effeminized. In laisse 195 she laments: “What will become of me, miserable wretch?/O, woe is me that I have no one to kill me. She does not participate in combat, so perhaps instead of filling the text up with the women, elderly and all other pagan people who are not warriors, one supplied the readers with Bramimonde. ’” Although the words “Muhammad,” “vanquished,” “slain” and “great shame” are grouped together, Bramimonde appears to be sincere in her request, as though she will attempt one more show of loyalty to the deities that “God never loved” that is in effect a last resort to stave off the “great shame. ” In laisse 195, when an emissary from the pagan emir greets her with a praise of Tervagant and Apollo, she replies: “Now I hear great foolishness,/These gods of ours have abandoned the fight;”. Remember that at this point Bramimonde is ‘the pagans,’ and Ganelon, Bramimonde’s foil, who sold his soul in betraying his country and the Christian God, is now dead. ” It is not enough for Charlemagne to have vanquished Saragossa, the Queen must now be delivered to France and converted to Christianity. It is Bramimonde who brings the emir to her husband to plan the second attack. the pagans surrender to the Christians. /I shall send your wife two necklaces. : a “miserable wretch” who is better off dead.
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