film Production
In the period previous to the 1930's, the predominant form of filmmaking was that of the crank camera. This is not to say that motor-driven cameras were not possible. However, the motors to advance the film were so large that they were simply too cumbersome to be effective. Thus, it was the cameraman himself who would crank the film at a steady rate to expose the frames. When it came to showing the film, on the other hand, motor driven projectors were quite convenient, and by the 1920's a standard 24 frames per second was established for projecting films. Filming, however, remained unstandardized due to the inherent variation in recording speeds, since it depended directly on the cameraman. An experienced cameraman was capable of filming an entire film at approximately the same speed, yet often variations were made in the recording speed for dramatic effect. Decreasing the number of cranks, for example, exposed fewer frames and thus when projected at the standard 24 frames created the frenzied action that characterized much of the Vaudeville cinema. The French filmmaker Georges Melies was among the first to employ changing backdrops and costumes to tell his story. Up until that point many film were only a few minutes long tak
The major technical advance of the 1990's has been the advent of the Digital Age. Though they were immersed in popular culture and striving to emulate Hollywood's success, they also incorporated new techniques and styles. Unfortunately, audiences quickly became bored with it and Hollywood soon dropped it. These studios monopolized the industry through vertical consolidation, meaning they controlled every part of the production process. By the mid-1970's the new formula for success had been reached. Under the old model it was thought impossible to have a blockbuster without a recognizable cast. It is now clear to Hollywood and the rest of the world that digital is the next evolution in film. It broke the financial slump of the 60's and remains the formula today. The 1950's also saw the rise of the French "New Wave". It was later replaced by the Panavision system, which did not require special lenses. First invented and shown in the 1920's, it became the standard by the early 1930's, partly due to the invention of a device based on the radio that could effectively amplify sound in the theater. Though digital editors have been in use since the 1980's, it was not until the 1990's that the non-linear format of editing became a true standard, as even high school programs began to purchase consumer-grade non-linear devices. Government found them to be an illegal monopoly. Future generations of filmmakers would look to this movement as inspiration for their own films depicting their home countries in a style that is sometimes known as "slice-of-life.
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own films,
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Acceptance Essays
