Indian Classical Music
Ustad Nishat Khan comes from a very musical family that plays an important role in Indian classical music. His father, Ustad Imrat Khan, was the innovator of the family. He passed the musical knowledge down through his four sons. Ustad Imrad Khan is a master of the surbahar. A surbahar is a deep-toned, sitar-like stringed instrument that was developed by his great-grandfather, Ustad Sahabdad Khan. It has a four-octave range and plays an extremely large role in Indian classical music. Imrat was taught at an early age before his father died then guided his four sons into the style of Indian classical music. Nishat Khan took up the sitar while his brothers played Indian classical music is an unbroken tradition that has been around for centuries. Indian classical music has evolved into two definite branches. One being the North Indian called Hindustani and the South Indian called Carnatic. Hindustani tradition is found in Kashmir, Punjab, and Bengal. In Pakistan and Bangladesh, the tradition has weakened in the last half a century in those countries. Carnatic is primarily found in the four southern states of Karnataka, Andhra Pradesh, Tamil Nadu and Kerala. Hindustani and Carantic are very similar to
The performance was quite amazing. As much as I loved the performance I could not hear a lot of this kind of music in succsession because of the meditative state that it puts me into. I would like to understand more about how the sitar is played and works as well as the practicing that is involved in order to reach that kind of level. Trying his best to shape to be sweet and very melodic. This allows for the percussionist player to improvise, accenting different beats then later link up again with the other performer. The somewhat hypnotic music that they played was very relaxing and could almost be used as a meditative formula. One could really pick out the different Raga's that were being played as the melodic content and mood changed drastically as well as their state of being on stage. It had a huge influence on how I view playing music and the huge focus and concentration that they had while playing. I noticed a lot of interaction going on between the two of them. For example a bar of 10 could be divided into 3-4-3. Some important terms used in the music are Raga. I haven't listened to the sitar much but after hearing it for a large amount of time it became such a unique and beautiful instrument to me especially with underlying notes and then the melody on top. I don't think it become a passion of mine such as I have for jazz.
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