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Ultimate Tragedy

“Tragic heroes may be instruments of the divine as well as victims of the divine.”

The Greek tragedy Electra written by Sophocles exemplifies the idea that tragic

heroes are not only conductors of power because but also victims of their own tragedy.

Electra is a major impact on the suffering of other characters, and is a major driving

The numerous actions of Electra throughout the play influence other characters

around her to suffer greatly. For instance, even something as simple as mourning for

her deceased father irritates her mother, Clytemnestra everyday, bringing her constant

suffering. Electra’s persistent lamentations even go as far as worrying the chorus, who

stand beside her, trying to reassure her, and to show their support and sympathy: “…

you should be wise, and say no more, it is yourself and what you do that brings upon

yourself this cruel outrage. Your sullen, irreconcilable heart, Breeding strife and

enmity, adds to your own misery.” (l

. . .

One thing we can be sure of is the fact that Sophocles provides questions, not

answers. Electra's mourning results in her

abuse by both Clytemnestra and Aegisthus, who treat her as little better than a slave in

her own house. On the other

hand, it occurs in accordance with an oracle from Apollo, which in Athenian times

was stronger than law and a blasphemy to ignore. Truly, Electra is the major cause of many of suffering for the characters in

the play. Through her relentless actions to seek a so called “justice”, tragic events

were triggered, therefore making Sophocles’ Electra the ultimate Greek tragedy.

But we are helpless; we should ride the storm with shortened sail… the right may lie

On your side, not on mine, but since they rule, I must submit, or lose all

liberty…(lines 332-340)” Again, Electra ignores the alternative perspective, and

continues her actions with her one track mind, causing her sister pain as well. Unfortunately, being the stubborn

person she is, she does not relent.

As well as causing the suffering of others, Electra is also a victim of the divine,

which contributes to the tragedy of the play. Although Electra depicts a questionable sense of justice through her

enthusiasm for murder, there still remains a strong case for the revenge.

Electra counters by arguing that justice cannot be achieved by answering a killing

with another killing which raises questions about the integrity of Electra's character,

for she herself wants to avenge her father's death. Her mourning is a natural response to an awful

occurrence, and she claims that although she does not necessarily “choose” grief, she

feels “forced”, as if by honor, to act as she does. During the scene when Chrysothemis

approaches their dead father’s grave with offerings, Electra labels Chrysothemis as a

“coward”(line 401), arguing that Chrysothemis has become a traitor who gives into

their father’s “bitterest enemies”. Electra is willing to suffer in the name of honor, and, in the name of

justice, she rightfully longs to avenge her father's death. In the

Exodus, the chorus is an enthusiastic participant in the revenge, giving the alert when

Aegisthus approaches.

Approximate Word count = 721
Approximate Pages = 3 (250 words per page double spaced)

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