Supernatural Forces caused the fall of man in Macbeth
Supernatural Forces caused the Fall of Man in Macbeth In Shakespeare's "Macbeth" supernatural forces create a suspenseful atmosphere. The use of the supernatural in the witches, the visions, the ghost and the apparitions provides the backbone of the climax and "excuses" for Macbeth's change of character. Because conscience plays such a central role in Macbeth's tragic struggle, many critics use spiritual and supernatural theories to illuminate the drama's character development. The play opens with the use of the supernatural when three witches encounter Macbeth on his way home from a battle and proceed to predict his fate. This gives the audience a glimpse of the path the play will follow. The witches plan to meet again, "When the battles (battle is) lost and won..." (I. I. 1-4). This theme becomes recurring throughout the play. It can be noted that the witches meet after every battle is lost and won, and every battle, whether man against man, man against nature or man against himself it will always be lost by one side and won by another. Eventually Macbeth will lose the battle for his soul. Literary critic, Charles Lamb quotes, "When we read the incantations of the Witches in Macbeth, though some of the ingredients of the
The only way for Macbeth to have the throne will be to wait or to kill King Duncan. " (Manyard 70) Macbeth exhibits sensitivity towards what he does not understand or comprehend. " (Jekels 227) Banquo's ghost returned to torture Macbeth indefinitely. Macbeth was deceitful and dishonest, therefore following the path of the devil. These paranormal experiences and influences caused Macbeth to choose certain paths, only to lead him to self-destruction. Had the three sisters not confronted Macbeth with the news of his possible future would he have thought of a deviant plan to murder King Duncan, and better yet, would he have had a future as a king at all? Another critic of Shakespearean Literature believes "Their (the witches) two appearances divide the tragedy in two movements, the one of which unfolds the crime, and other as punishment.
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