Film Production
In the period previous to the 1930's, the predominant form of filmmaking was that of the crank camera. This is not to say that motor-driven cameras were not possible. However, the motors to advance the film were so large that they were simply too cumbersome to be effective. Thus, it was the cameraman himself who would crank the film at a steady rate to expose the frames. When it came to showing the film, on the other hand, motor driven projectors were quite convenient, and by the 1920's a standard 24 frames per second was established for projecting films. Filming, however, remained unstandardized due to the inherent variation in recording speeds, since it depended directly on the cameraman. An experienced cameraman was capable of filming an entire film at approximately the same speed, yet often variations were made in the recording speed for dramatic effect. Decreasing the number of cranks, for example, exposed fewer frames and thus when projected at the standard 24 frames . . .
" A novelty technique used during the 1950's was the introduction of 3-D. A few years later the trend was reaffirmed when audiences were again captivated by special effects in one of the most popular movies of all time, Star Wars. It was also during this time that color in movies became possible through the use of the Technicolor system. Hollywood is not to be left behind, in fact they are far ahead. The 1950's also saw the rise of the French "New Wave". This wave of entertainment also started a trend of increasing independent production. As the film industry expanded in America, filmmakers found and increasing need for to establish a single location at which they could build sets and film undisturbed. Though they were immersed in popular culture and striving to emulate Hollywood's success, they also incorporated new techniques and styles. Independent producers pioneered the use of double reel filmmaking during the years before the First World War. created the frenzied action that characterized much of the Vaudeville cinema. They controlled every step and dominated Hollywood until 1948 when the U. It broke the financial slump of the 60's and remains the formula today. They believed that the director, the creator of the final visual image should be the true center and set out to direct their own films under this new theory. The French New Wave also sought in some ways to reconceptualize film.
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