Combination of Noir Style and Existentialist Motif The Matrix
The Matrix (1999) is an extension of the existentialist motifs of the mid 20th Century set in the 23rd, for its obvious influences from the American Noir Style. This is apparent when looking at the five points of this existentialism. First, Thomas A. Anderson (Keanu Reeves), a.k.a. “Neo,” is portrayed from the beginning of the film as a “normal Joe” who holds the potential of a world savior, yet without the narcissism. He does not have X-ray vision or the ability to leap tall buildings in a single bound, but rather, he is a lowly computer programmer for a respectable computer company. He does not appear important to anyone else in the film at first, and it is because of his lifestyle. Mister Anderson is immersed in the world of computers. As a result, he is lonely and alienated from the world or “reality.” This feeling is also reflected in the high, swooping camera angle found in the film, which is characteristically Noir. But what is reality? The truth? “Neo” makes the conscious choice to “see how deep the rabbit hole goes.” One finds out later in the film that at the point of making such a choice, he was nothing… or nothing more than an oversized Energizer; but upon choosing the “truth” he is also trying to “free his mind . . .
“Wake up, Neo… The Matrix has you…” Thomas A. ” “This can’t be just coincidence… It can’t be!” The Oracle had told Neo that he would [again] have to choose between sacrificing his own life or Morpheus’. “You take the Blue Pill, the story ends, you wake up in your bed believe what you want to… You take the Red Pill and you stay in Wonderland, and I show you how deep the rabbit hole goes. ” He is trying desperately to find out what is out there, and most importantly, “What is the Matrix?” He begins to be hunted like a fugitive, and upon capture is thrown into an interrogation cell and grilled about his life of virtual-crime. Only ten minutes into the script we see the first choice handed to Thomas Anderson: “Follow the White Rabbit…” In this sequence of scenes, it is apparent that the “responsible” thing to do is stay home to get rest for the upcoming work day, but the alter ego, Neo, would not make such a choice. It drives him to such a point that it outweighs all reason at every crossroads he comes to. As Morpheus put it, “It’s driving you mad, like a splinter in your mind. There are so many elements, some subtler than others, but nevertheless, they are present. “I can only show you the door; you have to walk through it. Morpheus then shows that “Fate is not without a sense of irony. Other elements of Noir in The Matrix are the hard lines and shadows of darkness, which are seen often, especially in the Dojo scene. These people had the Noir template in consideration when writing and editing this film. Virginia Commonwealth University, 27 December 1999 to 8 January 2000. Also seen in this film is the Noir classic “tilt shot” on many occasions.
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Acceptance Essays
