Mask in society
"Masks have served humankind for centuries as artistic instruments, educational tools and have often reflected and magnified human nature while revealing the inner desires and fears of the human heart. However, as we stand in the 90's we have little or no need for masks. Theatre has developed and moved swiftly, parents and schools educate children and humankind no longer feels the need to see their true feelings interpreted and portrayed by performers. Masks and mask work must take their place in the relics cupboard as quaint antiquities. They simply cannot withstand the break neck speed of the 90's- they have lost their appeal and relevancy." As society dives headfirst into the 21st century one cannot deny that there are a number of apparently frivolous concepts which are being sacrificed in the name of technology. Peripheral ideals and out-dated innovations such as LP's, tie dying and the ozone layer are being rightfully pushed aside as the world makes ready for bigger and better things. But the question arises, should masks be included within this list of irrelevant notions? To fully comprehend and reply to this one must have a deta
'Giorgio Strehler Bibliography John Rudlin, "Commedia dell'Arte: An actors Handbook'Bertolt Brecht, "Assorted plays""Masks: The art of expression". Although it unlikely that mask will never captivate the entire public over three centuries again, (not unlike Commedia) but the educational, entertainment and shock value of it will continue to be the primary tools at the disposal of actors, directors and other artists. This is where the main aspect of comedy was most apparent in Commedia. The mask could also be tilted up or down giving different shades of the one mood. The Actors would wear masks to define the general category of person to be portrayed. Chaos comes back and licence rules. Respectable people put away the dignified expressions and conservative clothes that isolate them, dress up in gaudy colours, hide behind a mask, and escape from themselves. ' (MASKS: THE ART OF EXPRESSION) Ultimately, masks are a crucial part to past, present and future society. The first being an apparently strong minded, brave individual, and the other, more truthful one, is representative of his fear and anxiety. Its undying worth and importance from the past is another example of the endurance and impact of mask throughout history. The colour scheme, consisting of half black and half white immediately relates to the audience the two sides of Capitano's personality. With the mask we are on the threshold of a theatrical mystery whose demons reappear with static, immutable faces, which are at the very roots of theatre. It was known as 'Commedia dell'Arte'. It can be safely guaranteed that within it's own artistic circle, Mask will never die.
Common topics in this essay:
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Colbran Masks,
God Brown,
Il Capitano,
EXPRESSION Ultimately,
Commedia Mask's,
Century Mask,
HANDBOOK Commedia,
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Euripides Aristophanes,
study mask,
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appeal relevancy,
21st century,
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symbol colour,
16th century,
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throughout history,
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today's society,
masks art expression,
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Acceptance Essays
