The New York City Ballet
Ballet, what exactly is ballet your probably wondering... well ballet is a classical dance form characterized by grace and precision of movement and elaborate formal technique, often but not always performed on point by the women dancers. Lincoln Kirstein, a very wealth man, founded the New York City Ballet in 1933 as the American Ballet. He imported George Balanchine to New York that year for the purpose of having an American school company in the best Russian tradition. The choreographer was, of course, Russian-Parisian, and his point of view and style was mainly Europ
The addition of Jerome Robbins in 1949 as co-director somewhat expanded the horizon of the New York City Ballet. It is building up a lot of financial security and has very bright plans in the future. It is however, entirely under the power of Balanchine and all comes down to his personality and style. In the following decade, it became one of the leading ballet companies in the world. ean, as was the entire teaching staff, but the performing personnel was local, and it hoped that under the director of the master, native choreographers and teachers would in time develop. It was this group that produced Billy and the Kid (Loring, Copland, Jared French), the first real American Masterpiece and it was this group that progressed the development of Michael Kidd, William Dollar, Lew Christensen, and Ruthanna Boris. After three years, the company suspended operations. A splinter group, Ballet Caravan directed by Kirstein himself, kept the flame going. This is a quote from Agnes De Mille "When you perform. Even though the ballet company was not making any progress for eleven years, the American Ballet School never closed there doors and has trained a generation of eligible dancers.
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