Allan Ginsberg as a Contemporary Romantic
Allen Ginsberg as a contemporary romanticAllen Ginsberg did not only inspire the new generation of poets who called themselves the Beats but was, also, considered the main figure in the rebellion movements of his time. Ginsberg created his own conception of poetry and art that was very different from the traditional understanding. He spoke in his poems from his unrestricted heart and the general impression was that he speaks for his audience (Sanders, 34). Even though the poet represented the voice of the civilized nation, he was separated from society that he lived in. The world was like a prison for Ginsberg because of great materialism and industrialism which were the consequences of the scientific progress and the special framework of culture that was within the certain limits (McNelly, 77). Materialistic values of the American society that alienated individuals were ironically described in Ginsberg's poems. He condemned the social structure and the instruments which created images in the society. Ginsberg saw himself as a prophet in his country. In one of his writings the poet describes that he could hear the voice of Blake and experience new perception of the world (Ginsberg, 122). He felt like all of the sudden the whol
But the spirit of the universe was what I was born to realize"(Ginsberg, 123). His writings are not simply the creation of his brain but "are the workings of the vision haunted mind and not that reason which never changes" (Ginsberg, Psalm I, p. e universe started to have a different meaning for him. Ginsberg sees cruelty of the world and social injustice and he asks God to show him the right way in Psalm II: "Make me to know thy ways, O Lord; teach me thy paths. The poem starts with the lines: America - I've given you all and now I'm nothingAmerican when will you end the war:America when will you be angelic?Ginsberg describes America as a country that fall into a deep sleep and illusions which Americans have about themselves and the surrounding world alienate them from each other. He condemns the false idols which people created for themselves such as "blind capitals", "demonic industries", "invisible suburbs" and "monstrous bombs" (Ginsberg, 45). For Ginsberg, America is ruled by god of destruction Molech. He turns from his mystical representation of the world to more realistic vision. Even though the early poems of Ginsberg are full of despair and hopelessness, he sees art as a moving force that can help the Eternal Knowledge to enter this world: "Art recalls the memory; Of his true existence; To whoever has forgotten that Being is the one thing" (Ginsberg, 35).
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