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In "The Judge's Wife" the author, Isabel Allende, uses a variety of techniques to make full use of the limited space within her short story. By using strong imagery, providing a background, providing believable human actions, and examining justice, M. Allende creates a piece readers can understand to the point of empathy. Because her short story examines human behavior in respect to passions, justice, and emotion (love) in a plausible manner one can find close similarities between her work and that of Mary The author makes use of imagery to embellish not only upon her environment, but also her characters. M. Allende presents the ideas of corruption, innocence, and strictness simply through well-selected adjectives that lend eloquently to the descriptions of her characters. The strait laced judge being "...dressed formally in black ... and his boots always shone with bees wax " (Allende, 422). One can infer by details such as those that that particular individual appreciates formality, and considering his desert location, a strict adherence to it. The author also uses images of deformity demonstrate the corruption of her main character, Nicholas Vidal; by providing him wi
In combining all of these tools the characters are given a realistic overtone that makes this short story easy for the reader to consume and enjoy. In much the same way Nicholas is assumed early on in his life by "decent folk" to become a criminal due to the telling marks on his face. Isabel Allende uses a combination of literary tools and techniques to assemble a piece that in some ways reflects a great masterpiece. In both cases the authors make use of the character's deep passion for justice: literally in the form of law and figuratively in the form of revenge. In fact the author uses this sexual power to finally bring the main character Nicholas to justice. At this point the characters of the two stories again overlap, being that they both eventually die for the injustices they inflict. His lust for revenge brings him to the poles of the world in search of his horrid creation. In looking at women's roles within both of the stories it becomes relevant to note that each author makes the clear the need for emotional and physical contact from the opposite sex. Mary Shelly uses lovely poetic imagery in much the same way to define, and give three-dimensional presence to her characters. To solely focus upon the main character within this story would be folly when making a true comparison to Frankenstein. Beautiful, Great GOD! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black and flowering; his teeth pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dunwhite sockets in which they were set, his shriveled complexion and strait black lips. Another point worth examining in these stories stems from the authors' use of women, given the consideration that both authors are women. These horrid monsters are invariably unwanted by their creators, thus their creators go to great lengths to attempt to snuff out the lives of the creations in order that they not wreak havoc upon the world. Yet one must wonder where the motivation, given the gender of the author, for such an exclusion takes place. Using such imagery the author allows the readers to form a solid conception of the plight of their characters.
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