Ironies in The Cast of Amontillado
Ironies Found in "The Cask of Amontillado" In the short story "The Cask of Amontillado," Edgar Allan Poe writes in the first person point of view from the perspective of Montresor, the diabolic narrator of this tale, who vowed revenge against Fortunato. Montresor began to develop the perfect plan for retribution. During the carnival season, Montresor encounters Fortunato and decides to implement his plan carefully not to arouse Fortunato's suspicions through irony. Poe uses different types of irony throughout the story. The three different types of irony that he uses are dramatic, verbal, and situational irony. Dramatic irony is when the reader perceives something that a character in the story does not. This occurs when reader becomes painfully aware of what will become of Fortunato even though the character continues his descent into the catacombs in pursuit of the Amontillado. Poe further adds to this effect by calling the character Fortunato, who is anything but fortunate, and dressing him in a clown or fool's costume since Montresor intends to make a fool of him as part of his dark plan. Through the ironic naming of the characters, Poe gives visual images to the readers. The naming of Fortunato, which is ironic since he
He is given the name "Fortunato" though to make him appear as a "fool" (Womack 4). "Poe's 'Cask of Amontillado;' Criticism and Interpretation. Thus, Montresor states, "My dear Fortunato, you are luckily met. " (Poe 1571) "The ironic jingling of the bells which marks the end of 'The Cask of Amontillado'" (Fagin 204). The drunken Fortunato is the only one in the story who is unaware of Montresor's real motives. to the buried that repose around us" (1569). The sound of these bells has a frightening effect on the audience. Poe uses the horrifying sound of these bells to appeal to the auditory senses of the audience. New York: The Book League of America, 1940. In this tale of revenge, Poe illustrates dramatic, verbal, and situational ironies between Montresor and Fortunato. Then again, Montresor says, "And I to your long life" (1569). Poe's story reveals that Fortunato's fate is death not life.
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