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Langston Hughes1

Langston Hughes is considered by many readers to be the most significant black poet of the twentieth century. He is described as ³...the beloved author of poems steeped in the richness of African American culture, poems that exude Hughesıs affection for black Americans across all divisions of region, class, and gender.² (Rampersad 3) His writing was both depressing and uplifting at times. His poetry, spanning five decades from 1926 to 1967, reflected the changing black experience in America, from the Harlem Renaissance to the turbulent sixties. At the beginning of his career, he was surrounded by the Harlem Renaissance. New York City in the 1920ıs was a place of immense growth and richness in African-American culture and art. For Hughes, this was the perfect opportunity to establish his poems. His early work reflects the happy times of the era. However, as time progressed he became increasingly bitter and upset over race relations. Except for a few examples, all his poems from this later period spoke about social injustice in America. The somber tone of his writing often reflected his mood. Race relations was the shadow of his career, following him from his first poem to his last. The tone and subject matter of Hu


It represents yet another case of whites letting blacks down. The entire poem can be summed up as ³. Hughes is desperate not to forget the accomplishments of the 20ıs, and not to let those accomplishments get taken away by greedy white businessmen. The poem is a speech made by a black defendant, who is arguing to a white jury. ³Third Degree² is a cry against the corrupt justice system in the 1940ıs. among the most eloquent American poets to have sung about the wounds caused by injustice² (Rampersad 3), he thought his poems made no impact on society. Although scholars and critics throughout his career dismissed his poetry as too ³simple and unlearned,² his primary audience, the black masses, and even Hughes himself viewed his work as ³folk poetry² which was beneath criticism. The shame and anger that the defendant feels can be compared to the blistering pain of a third degree burn. Jazz was a flourishing art form that Hughes often liked to write about.

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