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Alessandro Scarlatti

Alessandro Scarlatti was a composer during the “Baroque Era”. When compared with its music predecessors, “Baroque” music is said to be have more lavish textures, and more intense. This period of music introduced Operas, Oratorio’s, and Cantata’s. It also brought along orchestral forms, though Operas became very popular. Operas were very popular because Italian intellectuals wanted to “recapture” the Greek Dramas, in which music played a major role. A distinguishing feature of the “Baroque Era” was the emphasis on the music’s volume, texture, and pace. The previous era, (Late Renaissance) did not focus on these very much. Cannons and Fugues (strict forms of imitative polyphony) were also very popular during the “Baroque Era”. In this Era, composers were expected to prove their expertise whenever asked. To this, they were expected to improvise complex Fugues on a moments notice. Only the best were able to do this.

Alessandro Scarlatti was born in Palermo on May 2nd 1660. Not much is known about his family, other than the fact that he had two sisters, and his parents were Sicilian, and most likely from Artistic families themselves. At the age of twelve, Alessandro and his two sisters’ were sent to Rome to live with relatives. Ther

. . .
A few of his other pieces are, L’honesta negli Amori (1680), Pompeo (1683), Dal male il bene (1686), Pirro e Demetrio (1688), La Rosaura (1690), La Cuduta dei Decemviri (1697), L’Eraclea (1700), II Mitridate Eupatora (1707), Tigrane ossia L’egual impegno d’amore e di fede (1715), Le Dirindine (1715), Ifigenia in Aulide (1718), and Marco Attilio Regulo (1719). Alessandro eventually became known as the founder of the Neapolitan School of Opera.

The two pieces that I choose to take a closer look at were “Gli equivoci nel sembiante” and “II Mitridate Eupatore”. All were performed in the Prince’s private theater, nowhere else. Unfortunately, all of the Operas he had composed for the Prince did not survive. The following year, the Spanish Ambassador was named “Viceroy” in Naples. Alessandro wrote five Operas for Prince Medici. He ended up in Florence, where he was close to the Prince. I choose these two because it was basically his very first piece, and then something that he did further down the line when he style began to change a bit.

The first one, “Gli equivoci nel sembiante” was actually a very small scale Opera. She was so taken in fact, that she identified Alessandro as “maestro di capella”. e were rumors that Alessandro studied with Carissimi while there.

In 1700, political views, and wars were reaching high intensity, so Alessandro left to pursue a new position elsewhere. Sometime between the time he was married, and his first composition, his father died.

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