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Milton follows the tradition of epic poetry when he asks a muse to speak through him. It is clear that for Milton it is the poet's submission to the voice of his muse, to divine inspiration, which ultimately distinguishes the soaring creation of Paradise Lost from an insulting speculation of what happens in the Garden of Eden. Milton does not, however, present the hymn of a heavenly muse as his only defense against presu
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One of the last characteristics that this poem demonstrates that are typical of an epic poem is the long list of the protagonists that the plot involves accompanied by long speeches by the main characters. It is on the basis of the eloquence and power of those speeches that much of the personality of the characters is shown. The numbers of angels that are listed are used to give the reader the notion of being overwhelmed by the mass number of villains. Never the less, Paradise Lost still follows the outline of a customary epic poem. Milton builds his epic out of views of the past and uses every feature of epic poetry that can possibly be used.
When Milton writes Paradise Lost he uses a general outline that will categorize his poem as an epic poem. Instead of speaking through Milton, the muse is more of a second person that inspires Milton. While he insists on the honest intentions of what he undertakes, he never neglects to expose the satanic aspect of his poetic posture. He is a mighty angel that is removed from Heaven. In order for us to see the power of God, it is necessary that Satan also be powerful. In order for God to vanquish and control this awesome being, his characteristics must exceed the characteristics of Satan. In this way Milton differs a slightly from a traditional epic. Through the book, he remains sensitive to the relationship between himself as poet and his center of attention.
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