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the grapes of wrath2

Through such hardships as the Depression, the Dust Bowl summers, and trying to provide for their own families, which included the search for a safe existence, we find the story of the Joad's. The Joad's are the main family in John Steinbeck's novel The Grapes of Wrath, which he created to give voice to the hundreds of families that found themselves at their absolute rock bottom during the Great Depression of the 20th Century in America. It wouldn't have been enough for Steinbeck to simply document the strife that faced these families in very plain terms, for anyone could have simply logged an account of events and published it. Rather, he needed to draw us in with emotional content, to do these families justice. Critics have argued that Steinbeck was too artificial in his ways of trying to gain some respect for the migrants. But, regardless of the critical opinions, John Steinbeck utilized 3 profound areas of symbolism as a forum to convey the spirits and attitudes of the citizens of America, who in his eyes, it seems, faced the worst of The Grapes of Wrath. The first aspect of the novel that must be looked at when screening its symbolic content, is that of the characters created by Steinbeck and how even the smallest f


Each machine taking over where laborers once reigned is an event that pushes the level of adaptation to adversity for each family. Yet when the Joads come upon the old man in the barn "the two women [Ma Joad and Rose of Sharon] looked deep into each other's eyes. 90-95Antioch Review XVIII, 1956Sillen, Samuel Censoring The Grapes of Wrath pp. The problem, as he states it, is that "the contrapuntal chapters about the Joad family don't always have the continuous strength to carry them" (Moore, 6). He knows the family must be able to make it in some kind of machine. 76-79Pacific Historical Review VIII, 1939McElderry Jr. He says he'll always be there, standing up for the little man, in other words, he is there to speak for the "meek and lowly", a watermark of Christ-like behavior. Another occasion is when Rose of Sharon takes care of the old man in the barn. Casy shows us what a biblical man he really is supposed to be. Warren French explains directly what Steinbeck's aim with having the characters, especially Ma Joad, develop the way they do throughout the novel:"The story that Steinbeck sought to tell does end, furthermore, with Ma Joad's discovery that it is no longer the "fambly" alone that one must "give a han'," but "everybody. The title is "a direct Christian allusion, suggesting the glory of the coming of the Lord" (Carpenter, 80). The best way to go about doing this was to use religion and hardship, two categories equally entrenched in the mores of that time. Steinbeck opens a chapter by describing a turtle that is struggling to cross a highway. She summons all of her strength and willpower to help cope with these tragedies. Tom Joad is almost a direct fit for the parable of the "Prodigal Son".

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