The House of Bernarda Alba A contribution of NonVerbal Elemants to the play
The non-verbal elements of a play are crucial in setting the mood and tone of the production. These features subtly provide the audience with important information about the setting of the play and gives insight into the backgrounds and personalities of the characters. The House of Bernarda Alba by Frederica Garcia Lorca is full of vivid nonverbal elements that are essential in portraying exactly what life was like within this household. Colour is very important in The House of Bernarda Alba. The walls of the house are all painted white. This is characteristic of homes in Spain, since white reflects the scorching sun. There is, however, a deeper meaning than the simple practicality of white in the play. White is symbolic of purity and cleanliness along with lifelessness, pallor and emptiness. All of these features are descriptive of the life the daughters of Bernarda are forced to lead. In fact, the family name Alba means white. This colour is shown to be in sharp contrast to the black dress of the women in mourning as they enter the stage. The white of the walls serves to exaggerate the black of their dresses. Black is indeed the colour of death and may not only indicate the death that has occurred but also allu
Without the creative genius of Lorca, who entered these pivotal elements, the play would not have been as effective. Nymphs are often characterized as being scantily clad and very sexual in nature. She is full of the vigor of youth and is of the perfect age to marry and begin her own family. Before any player appears on the stage the bells sounding after the funeral welcome the audience. At the end of the play Bernarda's comment that the bells will ring twice for Adela who died a virgin illustrates how important the bells really are in the town. The colour in the play makes a dramatic twist when Adela removes her black clothes of mourning and opts to wear her green birthday dress into the yard to feed the chickens. The harsh jute fabric is symbolic of the male presence in the home residing within the ruling hand of Bernarda. Their attire also displays a sharp contrast to the black, conservative dress of the characters. Bernarda is indeed the "King" of her castle and these pictures are representative of this. The most important symbol in the play is that of the tolling of the bells. It really is important to read a little deeper or watch a little more closely to gain true appreciation for a work such as this. Bibliography No outside sources used. He pounds on the wall of the house as he tries to break out. The decorations of the room in which much of the action takes place are very important.
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