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The tales which follow reveal the consequences for those who immerse themselves in vanity and gluttony. He who wears the mask has become too aware of what his peers preach. To hide something means to be ashamed of it. These people must confront the reality they hide and realize what is true.
THE STRONGHOLD. The people of these stories not only have a mental façade but a physical one, too. In Masque of the Red Death, a prince and his healthy friends and famil
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And, anon, there strikes the ebony clock which stands in the hall of the velvet. The veil may be the Minister’s warning to his people that they, too, will be in mourning if they do not recognize their faulted ways. This sole difference is the fulcrum in each parable.
An apprehensive feeling builds with every chime that brings the focus to the dark room on death, but the warning is soon forgotten and the party commences. In The Minister’s Black Veil, the minister heads a congregation that meets regularly in a holy building to shield itself from evil. They are too absorbed in their own masks of happiness to notice the truth. The congregation (often called spectators in the story) also acts as one in communal slander and disapproval of the demon which has possessed their former parson. Whatever the case, time will run out and everyone will be judged. Their delusions lead them to mimic the colorful cheer of each room and believe that they set the tempo. Similarly, the religious multitude was blinded by their own vanity and faith in appearances. It was necessary to hear and see and touch him to be sure that he was not” (Poe, p. Each of these environments ensures a sense of safety to the people within, who assume they are safe from those evils from which they hide. To and fro… there stalked, in fact, a multitude of dreams.
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