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the lost of paradise

Epic Characteristics of Milton's Masterwork, Paradise Lost

pic Characteristics of Milton's Masterwork Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3) There were changes, however, as John M. Steadman makes clear: The regularity with which Milton frequently conforms t

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Eliot, and others, who censured Milton's style. With this as background, it is now possible to trace the epic elements present in Book I of Paradise Lost rather easily. Thus Satan is compared to Leviathan . (18) Steadman would concur: In the course of Milton's epic his fallen archangel conceives and executes an enterprise of conquest and destruction closely resembling that of the conventional epic hero. Besides preoccupying Luther and Calvin, this subject had also engaged Paolo Sarpi and Richard Humfrey. The most important departures from epic decorum--the rejection of a martial theme, and the choice of an argument that emphasizes the hero's transgression and defeat instead of celebrating his virtues and triumphs--are paradoxically conditioned by concern for the ethical and religious decorum of the epic genre. They also may, she notes, "be proleptic. Of course he was free to originate novel images from contemporary events or his own personal experience; but Homer's high precedent, or Vergil's, prescribed the old images as well. Their religion tended to fill man with pride by persuading him that he was naturally virtuous.
Approximate Word count = 3322
Approximate Pages = 13 (250 words per page double spaced)

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