The Romantic Poets and the role of Nature

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The Romantic Poets: and the role of Nature Craig Williamson The poetry of the English Romantic period (1800-1832), often contain many descriptions, and ideas of nature, not found in most writing. The Romantic poets share several charecteristics in common, certainly one of the most significant of these is their respective views on nature.Which seems to range from a more spiritual, if not pantheistic view, as seen in the works of William Wordsworth, to the much more realistic outlook of John Keats. All of these authors discuss, in varrying degreess, the role of nature in acquiring meaningful insight into the human condition. These writers all make appeals to nature as if it were some kind of living entity calls are made for nature to rescue the struggling writer, and carry his ideas to the world. One writer stated in his introduction to a Romantic anthology: The variety of this catalogue implies completedness; surely not phase or feature of the outer natural world is without its appropriate counterpart in the inner world of human personality. Nature, then, can be all things to all men. To the revolutionary Shelley, the rough wind wails, like the poet himself, for the world's wrong; or it l Continue...


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Wordsworth declared that: " Poetry, should be written in the language of the common man and should be about incidents and situations from common life" (Francis, 36). ifts his own thoughts to scatter them like leaves, like glowing ashes, over the world in an apocalyptic prophecy of the coming Utopian spring. Anyone who has ever seen fall, can clearly picture all the beautiful colours of "hectic red", covering the trees (83). Like Wordsworth, Coleridge and Shelley John Keats is definately under the impression of nature being a great and benign force: Almost divine. If Wordsworth has decided to describe his growing feebility, and loss of " the glory and the dream. Throughout the course of this paper, four poems, written by three poets, will be discussed in some detail. 4 Ye blessed creatures, I have heard the call Ye to each other make; I see The heavens laugh with you in your jubilee; My heart is at your festival, My head hath its coronal, The fullness of your bliss, I feel-- I feel it all. Certainly this would (at least partly) account for the facination with the natural world that can be found in these poets. The second Wordsworth poem is: My Heart Leaps Up. Shelley was " an idealist who believed in the essential goodness of human nature" (Francis, 82). In keeping with common Romantic style, Keats has incorporated an image of the spritual into his work, similarly to what Wordsworth accomplishes in his Ode. He chooses creatures from the physical world to relay his suffering and his intense hope. With this book came the beggining of the Romantic period.

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